Behind the Scenes at the Cannes Film Festival

Synopsis:
Salsipuedes is a particular approach to different shades of violence against women in a family environment. With this film, I attempt to explore how this violence is maintained and naturalised verbally. I also try to create a contrast between the harmony and peace of nature and the tension and ambiguity of our human world.

What kind of approach to the story was important for you as a director?

I am interested in talking about this kind of violence, very present in my social environment in this particular way, to the women. Also, when I travel by bus in Cordoba (Argentina), where I live, I often hear others talking with a high dose of violence hidden in humorous comments. I think this resource – overhearing ordinary people’s chats – is very rich. I believe this is an idiosyncrasy of Cordoba.

What kind of difficulties did you have to face while shooting?

The film was made with a low budget but this turned out not to be an impediment. On the contrary, it strengthened the creativity and commitment to work. We shot the film in 6 days in 3 locations, relatively close to each other. The main difficulty was the rain, the classic enemy of the shooting. It rained a lot those days, fortunately we were able to rearrange the schedule and we managed to adapt. We worked with a very willing crew, we all got along great. They have even created new job opportunities together since.

What do you expect from the Cannes Film Festival?

My main idea is to see how the most important agent of legitimization in the world of film works. I’m intrigued to find out how this mechanism works. I would like to meet people and see lots of movies. In the official competition this year, there are several directors whom I admire and it’s all very exciting. I’m going to Cannes with the purpose of networking so that Salsipuedes could continue to be selected at other festivals and could be released in other countries, also in Argentina.

Are you planning your first feature film or do you want to keep on doing shorts?

I am planning to continue the Salsipuedes project with a film of 65 or 70 minutes. Now, I am travelling to Cannes with a new project that is in the process of script development, looking for funds to be able to finish it. The title is “Amorosas” and it deals with human relations within the family and in the workplace. Its background is a recent historical event of Argentina, a political conflict between the state and the agricultural production sector, that has a high purchasing power. As a resolution, the state tried to tax soy exports. There were many protests of the financial upper class on the streets. I’m interested in researching how the middle class supported this wealthier class and how the lower classes, with their real needs, were left out.

Find more interviews and articles about the World of Shorts in our Cannes 2011 Special Edition!