Behind the Scenes at the Cannes Film Festival
It’s a story about a couple that’s been married for a long time. They both feel like there’s something missing between them and they each escape into their own, very different worlds. The woman tries to get her husband to follow her into the world of Japanese (pop-)culture. The whole story is constructed like a Japanese legend, but it takes place in a Western setting.
How did the story come to you?
I read somewhere that there are women in Japan who wake up at 5 am each morning to create a little edible work of art for their children. Food is cut out with great care to look like characters from popular anime and manga series. For me, this was a perfect subject to write a story about because I wanted to make a short movie that drew from the Japanese films which influenced me the most.
What was the production like for the film? Was it easy to get the financial background? How long did it take to make it?
I worked on the film throughout my last year in Sint-Lukas. It was filmed on a very low budget, and I was really fortunate to have a lot of people who believed in the project and invested their time in it. There were also some big setbacks, but they’re easily forgotten when you see that people appreciate the result.
What do you expect from the Cannes Film Festival?
I still don’t really know what to expect. The Cinéfondation programme was created to give young directors a platform to show their work, so I hope there will be some opportunities to get some advice from people who have already proven themselves in this world. The only sure thing is that it will be a very unique experience and I’m very fortunate to take part in it.
What are your plans for the future? Do you want to keep on doing short films?
The project I’m working on right now is a feature length film because I’m impatient to have the time to tell a story on a larger scale. So far I’ve constructed my stories as if they were going to last for two hours on the screen, leaving away all the excess to make it fit into a realistic budget and small amount of shooting days. However, I’m not opposed to making other short films or music videos because I also like the larger amount of freedom they give.
Find more interviews and articles about the World of Shorts in our Cannes 2011 Special Edition!