Short films in global demand: “Oberhausen on Tour” playing in 21 countries

January 12th, 2012

The International Short Film Festival Oberhausen has posted its greatest ever response for the sixth edition of its short film tour “Oberhausen on Tour”: 49 venues in 21 countries are taking part, more than ever since the introduction of the event in 2003.

The tour kicks off on 13 January 2012 in Wiesbaden’s Caligari Filmbühne, with the last stop at the Lichtspiel Kinemathek in Berne on 14 June. Between these two dates, the seven short film programmes will travel from Munich to Hamburg, Santiago de Compostela to Istanbul, and from Johannesburg to San Luisi Potosi.

It will be mainly non-commercial repertory cinemas and arthouse theatres who are participating in “Oberhausen on Tour” – from Leipzig’s Kinobar Prager Frühling (Prague Spring) through to the Teatro San Martín in Buenos Aires. The other venues include Goethe Institutes as well as numerous arts and culture centres around the globe. “Oberhausen on Tour” will be making stops in 18 cities in Germany, and there will be a small focus in NRW with screenings in Bochum, Bonn, Düsseldorf, Cologne and Münster.

They will be joined by 19 cities in the rest of Europe and 12 worldwide. No less than ten of these are in South America which will thus represent a special focus for this edition of “Oberhausen on Tour”. The Festival has had Spanish subtitled prints specially produced for the screenings in Argentina, Bolivia, Chile, Ecuador and Mexico.

Seven short film programmes from the Oberhausen distribution catalogue are featured in the tour schedule. They include prize-winners and highlights from the 2011 competitions, a programme with artists’ films, the music videos from the MuVi Award 2011 and, for the first time, a programme of children’s films. In addition, the Festival has compiled two thematic programmes with discoveries from its archive under the headings of “Surreal/Political” and “Migration.”

“Oberhausen on Tour” brings the festival to the audience. The aim of the programme is to make the works from Oberhausen accessible to an interested audience in those places where the journey to the Festival itself is difficult or impossible. “So, it is especially important for us to support our partner cinemas in their work as best as we can: with ready-made feature-length programmes, with posters and promotional material”, project manager Carsten Spicher says. “The programme’s success shows that the short film in cinemas is far from dead.”

More info: http://www.kurzfilmtage.de/nc/en/58th-international-short-film-festival-oberhausen-2604-01052012.html

Registration for Training Ground 2012 are now open!

January 10th, 2012

Discount for the first to register

Training Ground are happy to announce the opening of the registration for FEST – Training Ground 2012, be sure to be the first one to register.

As launching promotion campaign Training Ground will have 15 no accommodation packs available for 49€ for the first to book, FEST – Training Ground is a place where young film enthusiast and film makers from all over the world gather in one week, to attend a deluxe training from workshops to master classes, lectured by industry top experts with recognized achievements.

Registrations are now open and will close on the 9th of June 2012, or when all places are full, be sure to be fast as it is likely the event will sell out.

Submit Your Movies to Rooftop Films!

January 9th, 2012

Rooftop are now accepting submissions for the 2012 Rooftop Films Summer Series.

Submit your movies! In May 2012 Rooftop will begin celebrating the 16th year of bringing the best independent films in the world outdoors and to the rooftops of New York. Submit your films and videos now and participate in one of the most unforgettable, unique, filmmaker-friendly, independent film events in the world!

To thank you for submitting, every filmmaker who submits a film will receive TWO free tickets to the 2012 Rooftop Films Summer Series (a $24 value).

All submissions not made through Without A Box must include the submission form or you can submit via Without A Box. If you are submitting via Without A Box, please DO NOT include a submission form.

Deadlines

Earlybird: $12, postmarked by December 5, 2011
Regular: $17 ($12 via WAB), postmarked by January 15, 2012
Late: $22 ($17 via WAB), postmarked by February 15, 2012
Without A Box Extended: $20, March 1, 2012

More info: http://rooftopfilms.com/2011/info/submit

MEDIA support to Daazo.com, the short film sharing site

January 5th, 2012

The European Union has voted confidence to Daazo again

For the fourth time in a row, Daazo.com has won the support of the European Union’s  MEDIA audiovisual programme. With the help of this funding, the short film site will be completely redesigned with a new look and structure to make it more user-friendly.

Daazo.com was launched in 2007. The aim of its founders, Zoltán Áprily and Dániel Deák was to establish a platform for filmmakers and quality short films, and to create an archive of European short films on the Internet. MEDIA, the audiovisual programme of the EU, decided to support Daazo.com with a grant of 109,735 euros to call down during 2012. Other beneficiaries of the MEDIA’s 2011 “Video on Demand and Digital Cinema Distribution” were the art film channel MUBI (mubi.com), the French EDCL – European Digital Cinema Library (cnfilms.fr), or the documentary platform Doc Alliance Films (dafilms.com).

Details of the tender can be viewed here:

http://ec.europa.eu/culture/media/programme/newtech/vod_dcc/list/docs/vod-dcd_results_of_call_for_proposals_2011_v2.pdf

10 Live Action Shorts Advance in Oscar Race

January 4th, 2012

The Academy of Motion Picture Arts and Sciences today announced that 10 live action short films will advance in the voting process for the 84th Academy Awards. One hundred seven pictures had originally qualified in the category.

The 10 films are listed below in alphabetical order by title, with their production company:

- Je Pourrais Être Votre Grand-Mère (I Could Be Your Grandmother), Bernard Tanguy, director-producer (Rézina Productions)

- Love at First Sight, Michael Davies, director and Sandra Gorel, producer (Spellbound Films)


- Pentecost, Peter McDonald, director (EMU Productions)

- Raju, Max Zähle, director and Stefan Gieren, producer (Hamburg Media School/Filmwerkstatt)

- The Road Home, Rahul Gandotra, director-producer and Ameenah Ayub, producer (London Film School)

- The Roar of the Sea, Ana Rocha Fernandes and Torsten Truscheit, directors (Niama Filmproduktion GmbH)

- Sailcloth, Elfar Adalsteins, director-producer (Berserk Films)

- The Shore, Terry George, director-producer (All Ashore Productions Limited)

- Time Freak, Andrew Bowler, director and Gigi Causey, producer (Team Toad)

- Tuba Atlantic, Hallvar Witzø, director (The Norwegian Film School/Den Norske Filmskolen)

The Short Films and Feature Animation Branch Reviewing Committee viewed all the eligible entries for the preliminary round of voting in screenings held in Los Angeles.

Short Films and Feature Animation Branch members will now select three to five nominees from among the 10 titles on the shortlist. Branch screenings will be held in Los Angeles, New York and San Francisco in January 2012.

The 84th Academy Awards nominations will be announced live on Tuesday, January 24, 2012, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2011 will be presented on Sunday, February 26, 2012, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.

Raindance’s gurus on beliefs, myths and misconceptions

January 2nd, 2012

Filmmakers and Screenwriters Career Strategy 2012

If your career strategy doesn’t change, if it doesn’t grow and develop then it is merely surviving. Who wants to survive. Don’t you want to live? When hearing about a success in another, most screenwriters and filmmakers start whining: “That may work for their project, but not ours.”

Don’t ever let yourself fall into this trap.

This is generally nothing more than an excuse not to change. Are there differences between film projects? Sure there are, but when it comes to success, the process is the same for most of us. Find a story, get a script, find a producer, seek and acquire finance, produce and market the film.  No matter what you are making or writing, this is probably your outline.

Within this process there are many successful strategies and techniques. Don’t ignore any of these by using the excuse that your film project or script is different or that a certain strategy or technique “wouldn’t work for you.”

Why is this a dangerous myth?

It is dangerous because we act on our training and beliefs. What if your training has been wrong? Beliefs, whether positive or negative, will determine action and response to situations. A belief that our film or screenplay is unique is a license to stagnate. It gets us into a habit of making excuses for not being as successful as we can be. Instead of looking to excel, we start to look for reasons why we can’t excel. If you do what you have always done, you will get what you have always received. If you come across techniques that are working for others, adopt them. It might take some tweaking to fit directly in your film or screenplay, but try it.

Don’t allow yourself to believe your project’s situation is unique. People buy scripts, finance films or go to the movies for the same general reasons: either to get more of what they want more of, or get rid of what they want less of. All this myth accomplishes is cutting you off from useful strategies. Instead, find ways to tweak any good strategy you come across to fit perfectly to your film or script. A belief that your project is completely unique only offers the benefit of deceiving yourself in an effort to make convincing excuses.

Raindance

BUSHO 2012: Apocalypse Now!

December 22nd, 2011

The BuSho’s website has gone through a major improvement and been re-interpreted according to the requirement of present times. The words of the webmaster: ’Those who uses internet explorer 6 probably does not read the site, although it is quite common worldwide to use internet on phone or tablets. Because when you open the site in IE6 it asks you to install Chrome Frame plug-in and then it’d work fine, so basically the site isn’t optimized for, neither against anything. They refreshed the mailing list and newsletter system so if you do not want to receive newsletter anymore please click on unsubscribe so that they can delete you from the database. The online registration has been renewed too so the registration is now open for BuSho International Shortfilm Festival 2012!

From this year they can only accept shorts that is registered through the online system except if a studio, school or workshop enters 5 or more shorts, they can send them in on DVD form. Despite the crisis they would like to carry on with projects they started up over the years: 8th BuSho, 6th GomBuSho workshop, 4th LifeAd one-minute short competition and wish to have a second spot competition with poster topic too!

The annual closing party will be held at Vörösmarty cinema on 22-December-2011 starting at 6pm with plenty of interesting screenings of 2011. Unfortunately the venue of next year is still questioned since the future of this cinema hosted us for 4 years is unsecure, that’s the reason we hold this party here with a colorful program. A little bit of everything: winners, losers, workshops, EFA nominees, LifeAds, Danube mosaic, Hungarians, foreigners, animations, experiments, surprises then a Finale…

Berlinale Festival Poster out soon all around Berlin!

December 21st, 2011

“The Berlinale Bear is both a trademark and a popular symbol. The colourful variations of the Berlinale Bear in the poster’s motif for 2012 allude perfectly to the Festival’s diversity and multifaceted nature, and will put the city in the mood for this major event,” says BOROS, the agency doing the artwork for the 62nd Berlin International Film Festival.

The poster goes up first first around the Potsdamer Platz and then all over Berlin.

The 62nd Berlin International Film Festival will take place from February 9 to 19, 2012.

To take a look at the Berlinale poster 2012, go to: www.berlinale.de

Insight out – Participation Scholarships

December 9th, 2011

For film professionals and decision-makers

INSIGHT OUT is a truly international symposium on Digital Cinema and HDTV production. The training programme is designed for decision-makers in the film, TV, and new media industries. It provides in-depth information on every step along an entirely digital production chain, on new digital production tools and workflows.

Participants learn from digital cinema and HDTV feature and documentary film productions that are exemplary of current digital best practice. INSIGHT OUT takes place at HFF in Potsdam, Germany, 30mins from Berlin’s city centre.

Learn how to use digital technology creatively

The market is developing at such rapid speed, that it is increasingly difficult for professionals to keep up-to-date with the development of new digital tools.

INSIGHT OUT offers a yearly update on the latest technology and equipment. It provides practical examples of the workflows employed in recent digital productions and gives an insight into the creative choices filmmakers are facing in a world governed by bits, bytes and pixels. Technologies are reviewed with regard to their aesthetic and narrative perspective, potentials and restrictions.

The INSIGHT OUT 2011 Programme

What characterises INSIGHT OUT is its informal atmosphere where trainers stay for their colleagues’ lectures and lively discussions ensue at the end of each session.

- Lectures: Experienced filmmakers talk about the creative and technical challenges that they face and the future development of film production.
- Hands-on Workshops: Several all-day workshops introduce you to entirely digital workflows for large and low budgets.
- Case Studies: Showing film sequences and making-off footage, film crews present their cinema and HDTV productions. Technical and artistic choices are discussed.
- Visits: Companies acting in the film and media industry in Berlin and Brandenburg present their facilities and current projects.
- Networking: Plenty of time for networking with trainers, fellow participants and local media professionals.

Be a part of INSIGHT OUT 2011, Europe’s leading training programme on digital cinema and HDTV for media professionals!

Support for German Participants

FFA kindly supports German participants who already worked on a cinema production. They may apply for FFA funding. Your contact person at FFA for all questions regarding continous training is Birthe Klinge, some of them might be answered by the FAQ.

Scholarships for Participants from European Countries
regular Application deadline: 31 January 2011

HFF offers a limited number of scholarships towards participation fees, accommodation and partial travel costs for film and broadcasting professionals from countries participating in the MEDIA programme, namly Austria, Belgium, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Great Britain, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, Switzerland.

Applications from countries with a low audiovisual production capacity and teaching staff of film and media schools are particularly encouraged.

Scholarships for EBU Members from Europe and the MEDA Countries
Application deadline: 19 January 2011

The Geneva-based European Broadcasting Union (EBU) is the largest professional association of national broadcasters in the world. It serves 75 active members in 56 countries in Europe, North Africa, and the Middle East and 35 associate members in countries around the world. EBU Member broadcasters reach an audience of 650 million weekly.

The EBU is sponsoring a limited number of scholarships for TV professionals. EBU members from Europe or from the Southern Mediterranean (Algeria, Egypt, Israel, Jordan, Lebanon, Morocco, the Palestinian Authority, Syria, Tunisia or Turkey) are eligible to apply. The scholarships encompass all seminar costs, accommodation during the workshop and a travel allowance of € 200 (only for scholarship holders from Algeria, Egypt, Israel, Jordan, Lebanon, Morocco, the Palestinian Authority, Syria, Tunesia or Turkey).

How to Apply

You must meet the following criteria to be eligible to apply:
- You are fluent in English, the course language of INSIGHT OUT.
- You have not received a scholarship for a previous INSIGHT OUT symposium.
- You are a member of the target group.

If you are eligible to apply, please send us by fax or post:
- the duly completed and signed application form
- a recent CV and photo with selected filmography, if applicable

Call for applications: Torino Film Lab – Interchange

December 9th, 2011

Interchange is a programme for teams of writer/director and producer from Europe or the Arab world working at a fiction feature film and film professionals interested in script editing training. The programme is also open to 3 trainee script consultants from the Arab world.

The Interchange 2012 call for applications is open, apply now!

Deadline for applications: March 4th, 2012.

The aim is to build cooperation between film professionals from Europe and the Arab countries (Algeria, Bahrain, Comoros, Djibouti, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, Somalia, Sudan, Syria, Tunisia, United Arab Emirates, and Yemen), selecting 12 teams of writer/director + producer and 3 Arab trainee script consultants, and bringing them together for 2 residential 5-day workshops, one in Torino at the end of May/beginning of June and one in Dubai in December.

The training is designed to match the needs of experienced professionals who want to develop their skills through concrete work on their projects – under the expert guidance of international tutors – and who are ready to share their ideas with colleagues and engage themselves in discussions in order to improve and increase their knowledge. The trainee script consultants will be trained as story editors working each on 4 of the 12 selected projects.

Interchange is run by TorinoFilmLab, the Dubai International Film Festival and EAVE and it is supported by MEDIA Mundus.

Who can apply?

Teams of writer/director and producer applying with a fiction feature film project: writers and producers must come from Europe or one of the listed Arab countries: Algeria, Bahrain, Comoros, Djibouti, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, Somalia, Sudan, Syria, Tunisia, United Arab Emirates, and Yemen.

The producer applicants should have a demonstrable track record of producing in their own country and perhaps internationally. This could include the production of feature films, documentaries, music videos, advertising.

European applicants must be able to demonstrate a clear relationship to or involvement with the countries indicated above and proposed projects should come from or be related to them.

Arab film professionals interested in story editing training: film professionals applying as story editors trainee must come from one of the above listed Arab countries, and have a good knowledge of Arabic.

The working language of all Interchange workshops and events is English; thus, a good knowledge of English is essential in order to participate.

How to apply?

Teams of writers/director and producer applying with a project need to send:
-application form A
-full Curriculum Vitae (all applicants)
-synopsis (1 page maximum/only for writers)
-treatment (10 page maximum/only for writers)
-letter of motivation for doing Interchange (1 page maximum/all applicants). For European projects, the producer should also explain in which way the project is related to the Arab countries which are part of the Interchange Programme.
-development/production timetable (for producers)
-detailed budget, incl. development budget (for producers)
-financing plan (Euro currency): please include detailed info about the funds in the country of origin, region of interest and their relevant deadline, and mark any funds already obtained (for producers)
-one previous short film or extract of previous materials, (not mandatory/only for writer-directors): the video must be uploaded by following the link: http://tfl.museotv.com and signing up. Only 1 video per applicant; showreels will not be accepted;

Film professionals applying as trainee script consultants need to send:
-application form B
-full Curriculum Vitae
-letter of motivation for doing Interchange (1 page maximum)

All applications have to be sent to interchange@torinofilmlab.it in English and PDF format.

Only entries with complete form and materials, in English and PDF format, will be accepted.

Participation cost
There is no entry fee.

TorinoFilmLab covers participants’ accommodation expenses (hotel and meals) during the workshops.

All the travel expenses during the programme have to be covered by the participants but will be reimbursed up to 1.000 Euro per team of writer and producer, up to 500 euro per trainee script consultant. The reimbursement concerns only the travel to/from the city, and not the local transportation in the city such as taxi, car rental or parking. In order to receive the refund the participants need to send all the original travel tickets to TorinoFilmLab office no later than December 20th, otherwise the reimbursement can not be guaranteed.

Workshops & on-line sessions

Participants’ activities take place across 6 months as follows:

May / June:  1st four-day residential workshop in Torino with tutors: development and pitching workshop with group sessions, lectures and case-studies

August – September: 1st online/Skype/e-mail development session with tutors: assessment, consulting, task-setting

October – November: 2nd online/Skype/e-mail development session with tutors: assessment, consulting, task-setting for writers/ directors/ producers

December:  2nd five-day residential workshop in Dubai: final script assessment, project advice, pitching training, producers’ coaching, case studies;
Pitching event and one-to-one meetings at Dubai Film Connection with film industry professionals from EU and Arab regions.

More details on Interchange events.

The training of writers/ filmmakers/ producers/story editors trainees will be carried out simultaneously in both workshops and the curriculum will be designed around two central concerns: project development and co-production strategies.

Participants will continue working online between the 2 workshops and will receive feedback on project development through a schedule of Skype/email consultations.

A head producer will supervise all 12 teams. Each team’s project will also be analysed in depth with supervision and guidance by 3 professional tutors working in smaller groups.