BUSHO 2012: Apocalypse Now!

December 22nd, 2011

The BuSho’s website has gone through a major improvement and been re-interpreted according to the requirement of present times. The words of the webmaster: ’Those who uses internet explorer 6 probably does not read the site, although it is quite common worldwide to use internet on phone or tablets. Because when you open the site in IE6 it asks you to install Chrome Frame plug-in and then it’d work fine, so basically the site isn’t optimized for, neither against anything. They refreshed the mailing list and newsletter system so if you do not want to receive newsletter anymore please click on unsubscribe so that they can delete you from the database. The online registration has been renewed too so the registration is now open for BuSho International Shortfilm Festival 2012!

From this year they can only accept shorts that is registered through the online system except if a studio, school or workshop enters 5 or more shorts, they can send them in on DVD form. Despite the crisis they would like to carry on with projects they started up over the years: 8th BuSho, 6th GomBuSho workshop, 4th LifeAd one-minute short competition and wish to have a second spot competition with poster topic too!

The annual closing party will be held at Vörösmarty cinema on 22-December-2011 starting at 6pm with plenty of interesting screenings of 2011. Unfortunately the venue of next year is still questioned since the future of this cinema hosted us for 4 years is unsecure, that’s the reason we hold this party here with a colorful program. A little bit of everything: winners, losers, workshops, EFA nominees, LifeAds, Danube mosaic, Hungarians, foreigners, animations, experiments, surprises then a Finale…

Berlinale Festival Poster out soon all around Berlin!

December 21st, 2011

“The Berlinale Bear is both a trademark and a popular symbol. The colourful variations of the Berlinale Bear in the poster’s motif for 2012 allude perfectly to the Festival’s diversity and multifaceted nature, and will put the city in the mood for this major event,” says BOROS, the agency doing the artwork for the 62nd Berlin International Film Festival.

The poster goes up first first around the Potsdamer Platz and then all over Berlin.

The 62nd Berlin International Film Festival will take place from February 9 to 19, 2012.

To take a look at the Berlinale poster 2012, go to: www.berlinale.de

Insight out – Participation Scholarships

December 9th, 2011

For film professionals and decision-makers

INSIGHT OUT is a truly international symposium on Digital Cinema and HDTV production. The training programme is designed for decision-makers in the film, TV, and new media industries. It provides in-depth information on every step along an entirely digital production chain, on new digital production tools and workflows.

Participants learn from digital cinema and HDTV feature and documentary film productions that are exemplary of current digital best practice. INSIGHT OUT takes place at HFF in Potsdam, Germany, 30mins from Berlin’s city centre.

Learn how to use digital technology creatively

The market is developing at such rapid speed, that it is increasingly difficult for professionals to keep up-to-date with the development of new digital tools.

INSIGHT OUT offers a yearly update on the latest technology and equipment. It provides practical examples of the workflows employed in recent digital productions and gives an insight into the creative choices filmmakers are facing in a world governed by bits, bytes and pixels. Technologies are reviewed with regard to their aesthetic and narrative perspective, potentials and restrictions.

The INSIGHT OUT 2011 Programme

What characterises INSIGHT OUT is its informal atmosphere where trainers stay for their colleagues’ lectures and lively discussions ensue at the end of each session.

- Lectures: Experienced filmmakers talk about the creative and technical challenges that they face and the future development of film production.
- Hands-on Workshops: Several all-day workshops introduce you to entirely digital workflows for large and low budgets.
- Case Studies: Showing film sequences and making-off footage, film crews present their cinema and HDTV productions. Technical and artistic choices are discussed.
- Visits: Companies acting in the film and media industry in Berlin and Brandenburg present their facilities and current projects.
- Networking: Plenty of time for networking with trainers, fellow participants and local media professionals.

Be a part of INSIGHT OUT 2011, Europe’s leading training programme on digital cinema and HDTV for media professionals!

Support for German Participants

FFA kindly supports German participants who already worked on a cinema production. They may apply for FFA funding. Your contact person at FFA for all questions regarding continous training is Birthe Klinge, some of them might be answered by the FAQ.

Scholarships for Participants from European Countries
regular Application deadline: 31 January 2011

HFF offers a limited number of scholarships towards participation fees, accommodation and partial travel costs for film and broadcasting professionals from countries participating in the MEDIA programme, namly Austria, Belgium, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Great Britain, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, Switzerland.

Applications from countries with a low audiovisual production capacity and teaching staff of film and media schools are particularly encouraged.

Scholarships for EBU Members from Europe and the MEDA Countries
Application deadline: 19 January 2011

The Geneva-based European Broadcasting Union (EBU) is the largest professional association of national broadcasters in the world. It serves 75 active members in 56 countries in Europe, North Africa, and the Middle East and 35 associate members in countries around the world. EBU Member broadcasters reach an audience of 650 million weekly.

The EBU is sponsoring a limited number of scholarships for TV professionals. EBU members from Europe or from the Southern Mediterranean (Algeria, Egypt, Israel, Jordan, Lebanon, Morocco, the Palestinian Authority, Syria, Tunisia or Turkey) are eligible to apply. The scholarships encompass all seminar costs, accommodation during the workshop and a travel allowance of € 200 (only for scholarship holders from Algeria, Egypt, Israel, Jordan, Lebanon, Morocco, the Palestinian Authority, Syria, Tunesia or Turkey).

How to Apply

You must meet the following criteria to be eligible to apply:
- You are fluent in English, the course language of INSIGHT OUT.
- You have not received a scholarship for a previous INSIGHT OUT symposium.
- You are a member of the target group.

If you are eligible to apply, please send us by fax or post:
- the duly completed and signed application form
- a recent CV and photo with selected filmography, if applicable

Call for applications: Torino Film Lab – Interchange

December 9th, 2011

Interchange is a programme for teams of writer/director and producer from Europe or the Arab world working at a fiction feature film and film professionals interested in script editing training. The programme is also open to 3 trainee script consultants from the Arab world.

The Interchange 2012 call for applications is open, apply now!

Deadline for applications: March 4th, 2012.

The aim is to build cooperation between film professionals from Europe and the Arab countries (Algeria, Bahrain, Comoros, Djibouti, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, Somalia, Sudan, Syria, Tunisia, United Arab Emirates, and Yemen), selecting 12 teams of writer/director + producer and 3 Arab trainee script consultants, and bringing them together for 2 residential 5-day workshops, one in Torino at the end of May/beginning of June and one in Dubai in December.

The training is designed to match the needs of experienced professionals who want to develop their skills through concrete work on their projects – under the expert guidance of international tutors – and who are ready to share their ideas with colleagues and engage themselves in discussions in order to improve and increase their knowledge. The trainee script consultants will be trained as story editors working each on 4 of the 12 selected projects.

Interchange is run by TorinoFilmLab, the Dubai International Film Festival and EAVE and it is supported by MEDIA Mundus.

Who can apply?

Teams of writer/director and producer applying with a fiction feature film project: writers and producers must come from Europe or one of the listed Arab countries: Algeria, Bahrain, Comoros, Djibouti, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, Somalia, Sudan, Syria, Tunisia, United Arab Emirates, and Yemen.

The producer applicants should have a demonstrable track record of producing in their own country and perhaps internationally. This could include the production of feature films, documentaries, music videos, advertising.

European applicants must be able to demonstrate a clear relationship to or involvement with the countries indicated above and proposed projects should come from or be related to them.

Arab film professionals interested in story editing training: film professionals applying as story editors trainee must come from one of the above listed Arab countries, and have a good knowledge of Arabic.

The working language of all Interchange workshops and events is English; thus, a good knowledge of English is essential in order to participate.

How to apply?

Teams of writers/director and producer applying with a project need to send:
-application form A
-full Curriculum Vitae (all applicants)
-synopsis (1 page maximum/only for writers)
-treatment (10 page maximum/only for writers)
-letter of motivation for doing Interchange (1 page maximum/all applicants). For European projects, the producer should also explain in which way the project is related to the Arab countries which are part of the Interchange Programme.
-development/production timetable (for producers)
-detailed budget, incl. development budget (for producers)
-financing plan (Euro currency): please include detailed info about the funds in the country of origin, region of interest and their relevant deadline, and mark any funds already obtained (for producers)
-one previous short film or extract of previous materials, (not mandatory/only for writer-directors): the video must be uploaded by following the link: http://tfl.museotv.com and signing up. Only 1 video per applicant; showreels will not be accepted;

Film professionals applying as trainee script consultants need to send:
-application form B
-full Curriculum Vitae
-letter of motivation for doing Interchange (1 page maximum)

All applications have to be sent to interchange@torinofilmlab.it in English and PDF format.

Only entries with complete form and materials, in English and PDF format, will be accepted.

Participation cost
There is no entry fee.

TorinoFilmLab covers participants’ accommodation expenses (hotel and meals) during the workshops.

All the travel expenses during the programme have to be covered by the participants but will be reimbursed up to 1.000 Euro per team of writer and producer, up to 500 euro per trainee script consultant. The reimbursement concerns only the travel to/from the city, and not the local transportation in the city such as taxi, car rental or parking. In order to receive the refund the participants need to send all the original travel tickets to TorinoFilmLab office no later than December 20th, otherwise the reimbursement can not be guaranteed.

Workshops & on-line sessions

Participants’ activities take place across 6 months as follows:

May / June:  1st four-day residential workshop in Torino with tutors: development and pitching workshop with group sessions, lectures and case-studies

August – September: 1st online/Skype/e-mail development session with tutors: assessment, consulting, task-setting

October – November: 2nd online/Skype/e-mail development session with tutors: assessment, consulting, task-setting for writers/ directors/ producers

December:  2nd five-day residential workshop in Dubai: final script assessment, project advice, pitching training, producers’ coaching, case studies;
Pitching event and one-to-one meetings at Dubai Film Connection with film industry professionals from EU and Arab regions.

More details on Interchange events.

The training of writers/ filmmakers/ producers/story editors trainees will be carried out simultaneously in both workshops and the curriculum will be designed around two central concerns: project development and co-production strategies.

Participants will continue working online between the 2 workshops and will receive feedback on project development through a schedule of Skype/email consultations.

A head producer will supervise all 12 teams. Each team’s project will also be analysed in depth with supervision and guidance by 3 professional tutors working in smaller groups.

2012 Sundance Film Festival

December 7th, 2011

Announces Short Film Program

Sundance Institute announced today the program of short films selected to screen at the 2012 Sundance Film Festival. This year’s Short Film program is comprised of 64 short films selected from a record 7,675 submissions, up 16% over submissions for the 2011 Festival. The Festival will be January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah.

Trevor Groth, Director of Programming for the Sundance Film Festival, said, “As technology allows greater access to short films as well as filmmaking tools, an increasing number of people are turning to short filmmaking as a form of expression and an opportunity to explore creative freedom. The fact that we received 1,200 more submissions in this category than last year speaks to that. Within them we saw a wave of truly original and outrageously distinctive films united by their uncompromised spirit.”

The Short Film program at the 2012 Sundance Film Festival is presented by Yahoo!, the premiere digital media company. As part of its sponsorship, a special selection of short films from the Festival will be featured on Yahoo! Screen, Yahoo’s premium video destination, where an audience of millions will be able to vote for their favorite. The winning filmmaker will be presented with the Yahoo! Audience Award at the end of the Festival.

U.S. SHORT FILMS
This year’s 32 U.S. short films were selected from 4,083 submissions.

U.S. NARRATIVE SHORT FILMS

- ’92 Skybox Alonzo Mourning Rookie Card (Director: Todd Sklar, Screenwriters: Todd Sklar, Alex Rennie)
Jim and Dave are brothers who haven’t spoken in years and don’t like each other very much, but are forced to come together for a week when their dad dies in Kansas City. A limited edition 1992 Skybox Series Alonzo Mourning rookie card is a point of contention.

- The Arm (Directors and screenwriters: Brie Larson, Sarah Ramos, Jessie Ennis)
In an attempt to keep up with social pressure in a technologically advanced world, Chance starts a texting relationship with Genevieve, a girl he meets at a yogurt shop.

- The Black Balloon (Directors: Benny Safdie, Josh Safdie)
The Black Balloon strays from the herd and experiences what life as an individual is like. He explores New York City in the deepest way, seeing all of its characters.

- Dol (First Birthday) (Director and screenwriter: Andrew Ahn)
A gay Korean American man yearns for a family life just out of reach.

- Famous Person Talent Agency: Pearls of Asia (Director: Ivan Hurzeler, Screenwriter: Cami Delavigne)
Jackie Diamond is a luckless talent agent who never stops dreaming. He believes in his clients and he believes in show business. Jackie reaches for the stars from a shabby office in Queens – the Famous Person Talent Agency.

- FISHING WITHOUT NETS (Director: Cutter Hodierne, Screenwriters: Cutter Hodierne, John Hibey)
A story of pirates in Somalia, told from the perspective of the pirates themselves.

- The Fort (Director and screenwriter: Andrew Renzi)
On a rainy day, a young boy builds a fort in the woods when a man appears and offers to help.

- FOURPLAY: TAMPA (Director: Kyle Henry, Screenwriter: Carlos Trevino)
Louis loops into a local mall to grab lunch in the food court and a quickie in the public restroom. Paranoid about his own small package and clearly nervous about the situation, he scouts for possible partners, letting his imagination take over when reality proves thoroughly unsatisfying.

- Hellion (Director and screenwriter: Kat Candler)
Little seven-year-old Petey falls prey to his older brothers’ hellion ways.

- Henley (Director: Craig Macneill, Screenwriters: Craig Macneill, Clay McLeod Chapman)
Meet nine-year-old Ted Henley, budding motel manager and roadkill entrepreneur.

- L TRAIN (Director and screenwriter: Anna Musso)
Sunny is a self-regarding teenager fighting her way through an inner city blizzard, until she encounters someone who forces her to consider an altruistic, if not absurd, action.

- Life and Freaky Times of Uncle Luke (Director: Jillian Mayer, Screenwriter: Lucas Leyva)
A modern Miami adaptation of the 1962 French short film La Jetee, the film recounts Luke’s (Uncle Luke, legendary rapper from the hip-hop group 2 Live Crew) rise to fame as he changes the face of hip-hop and fights for first amendment rights- and later as he ushers Miami into a golden era of peace and prosperity as Mayor.

- OK BREATHE AURALEE (Director and screenwriter: Brooke Swaney)
Auralee wants a baby and will go to great lengths to get what she wants.

- Rolling on the Floor Laughing (Director and screenwriter: Russell Harbaugh)
Two grown brothers return home for their widowed mother’s birthday, only to find themselves competing with a strange man for her affection.

- Song of the Spindle (Director and screenwriter: Drew Christie)
An animated, humorous and informative conversation between a sperm whale and a man. Each one tries to convince the other that his brain is bigger.

- Spoonful (Director and screenwriter: Jenée LaMarque)
Three sisters return to their childhood home after the death of their father in order to pack up the family house. To make matters worse, the oldest sister has been separated from her baby for the first time.

- The Thing (Director: Rhys Ernst, Screenwriters: Rhys Ernst, Avery McTaggart)
Zooey has spent weeks planning a road trip to a mysterious roadside attraction known as ‘The Thing’ in the hopes that she and Tristan will reconnect. Both Tristan, an FTM transman, and his fluffy cat Steven struggle to find places to comfortably pee, while Zooey learns the open road isn’t everything she hoped it would be.

- UNA HORA POR FAVORA (Director and screenwriter: Jill Soloway)
A woman hires a day laborer for an hour and gets more than she bargained for.

U.S. DOCUMENTARY SHORT FILMS

- AQUADETTES (Directors: Drea Cooper, Zackary Canepari)
The Aquadettes are a group of elderly synchronized swimmers from Leisure World, a retirement community nestled in Orange County, California. One of them, Margo Bauer, is fighting multiple sclerosis and using medical marijuana to ease her pain and to keep on swimming.

- The Debutante Hunters (Director: Maria White)
In the Lowcountry of South Carolina a group of true Southern belles reveal their more rugged side, providing a glimpse into what drives them to hunt in the wild.

- Family Nightmare (Director: Dustin Guy Defa)
A dizzy trip through the mid-1990s with a dysfunctional American family. Reliving a distracted child’s birthday party, an emotionless wedding, a Halloween in a garage and a Christmas marked with alcohol, drugs and perversion, the film is a crumpled letter from a filmmaker to his family: a shattered kaleidoscope of the destructive patterns that have trapped and wounded its members.

- The Meaning of Robots (Director: Matt Lenski)
The benevolent Mike Sullivan, age 65, has been shooting an epic stop-motion robot sex film in his apartment for the last 10 years. Obsessed with constructing the miniature robot porn stars, his apartment now overflows with thousands of them.

- The Movement: One Man Joins an Uprising (Directors: Greg I. Hamilton, Kurt Miller)
In 2004 Rick Finkelstein was paralyzed in a ski accident on Aspen Mountain. With a severed spine and severe internal trauma, he wasn’t expected to live. Six years, nine surgeries, and a lifetime of rehab later, cameras captured his dramatic return to Aspen and skiing.

- Odysseus’ Gambit (Director: Àlex Lora Cercós)
A gambit is a chess opening in which a player sacrifices a pawn with the hope of achieving a resulting advantageous position. The protagonist is a Cambodian American guy looking for his place in the game.

- Pluto Declaration (Director: Travis Wilkerson)
Restore the classical definition of planet! Bring back planet Pluto! The solar system is 12!

- The Tsunami and the Cherry Blossom (Director: Lucy Walker)
Survivors in the areas hardest hit by Japan’s recent tsunami find the courage to revive and rebuild as cherry blossom season begins. A visual haiku about the ephemeral nature of life and the healing power of Japan’s most beloved flower.

U.S. ANIMATED SHORT FILMS

- 38-39° C (Director and screenwriter: Kangmin Kim)
A man with a big birthmark on his back enters an old public bathhouse. He falls into a dream where he confronts his father who has the same birthmark.

- Avocados (Director and screenwriter: Kataneh Vahdani)
A journey with many characters in one day through a city.

- Dr Breakfast (Director and screenwriter: Stephen Neary)
One day at breakfast, a man’s soul bursts out of his eyeball. A surreal meditation on the quirky but rejuvenating nature of friendship.

- It’s Such a Beautiful Day (Director and screenwriter: Don Hertzfeldt)
Bill wakes to find himself in a hospital struggling with memory problems, in this third and final chapter to Don Hertzfeldt’s EVERYTHING WILL BE OK.

- Night Hunter (Director and screenwriter: Stacey Steers)
In this handmade film, composed of more than 4,000 collages and shot in 35mm color, the actress Lillian Gish is seamlessly appropriated from silent-era cinema and plunged into a new and haunting role.

- Once It Started It Could Not End Otherwise (Director and screenwriter: Kelly Sears)
Terrifying and strange happenings descend on a 1970’s high school.

INTERNATIONAL SHORT FILMS
This year’s 27 international short films from 16 countries were selected from a record 3,592 submissions.

INTERNATIONAL NARRATIVE SHORT FILMS

- Barbie Blues / Israel (Director and screenwriter: Adi Kutner)
When Mika, a suburban teenager finds a disturbing creature in her swimming pool she asks her neighbor Gershon for help. What starts off as a friendly encounter between two neighbors turns into an unexpected lesson on the borders of control.

- BEAR / Australia (Director: Nash Edgerton, Screenwriters: Nash Edgerton, David Michôd)
Jack means well, but sometimes good intentions have horrible consequences.

- Don’t Hug Me I’m Scared / United Kingdom (Directors: Joseph Pelling, Rebecca Sloan)
A short film about teaching creativity by This Is It Collective.

- Frozen Stories (Opowiesci z chlodni) / Poland (Director and screenwriter: Grzegorz Jaroszuk)
Two worst employees of a supermarket have been ordered to find a goal in their lives.

- Fungus (Svamp) / Sweden (Director and screenwriter: Charlotta Miller)
Katrin decides to face her old boyfriend, who is back to collect some of his stuff.

- Girl / Sweden (Director: Fijona Jonuzi, Screenwriter: Gustaf Boman Bränngård)
Hanna, 32, randomly finds a party consisting of of five 20-year-old boys. At first she feels uncomfortable, but after a little adjusting, she soon feels like she’s one of them.

- The Hidden Smile (El somriure amagat) / Spain (Director: Ventura Durall, Screenwriters: Ventura Durall, Miguel Llansó)
Following a 10-year-old kid who arrives at the Ethiopian capital after escaping from his home and his misfortunes to integrate into a street children group, The Hidden Smile constructs a realistic tale on the values that flourish in a society formed by children.

- Juku / Bolivia (Director: Kiro Russo, Screenwriters: Gilmar Gonzales, Kiro Russo)
The dark mass between the screen and the room can beat again like once the first darkness did. Deep in it a man moves. He has a lamp, and the light it makes forms the rocks that will end up taking over the screen. About ten thousand people enter daily into Posokoni, the largest tin mine in Bolivia.

- Killing the Chickens to Scare the Monkeys / Sweden (Director and screenwriter: Jens Assu)
Nine scenes unfold in the grey area between black and white, where national politics and strategy have unforeseen consequences on a young teacher’s life.

- Las Palmas / Sweden (Director and screenwriter: Johannes Nyholm)
A middle-aged lady on a holiday in the sun tries to make new friends and have a good time.

- LAZAROV / France (Director and screenwriter: Nieto)
Refusing to accept the decline of the USSR, a handful of Russian scientists work secretly to resurrect the Soviet power. Here are some new images of the mysterious program Lazarov.

- Long Distance Information / United Kingdom (Director and screenwriter: Douglas Hart)
Da always said not to talk to strangers…but you’ve got to phone home sometimes.

- Moxie / United Kingdom (Director and screenwriter: Stephen Irwin)
A pyromaniac bear misses his mother.

- Playtime (Spielzeit) / Germany (Director and screenwriter: Lucas Mireles)
A seamless journey of German youth and innocence on a Sunday afternoon.

- Random Strangers / United Kingdom (Director: Alexis Dos Santos, Screenwriters: Laurence Coriat, Alexis Dos Santos)
Rocky and Lulu live in opposite sides of the planet: they bump into each other in ChatRoulette and decide to stay in touch. Using video diaries, secret confessions, fictional representations of facts of their lives made with toys, dance performances and songs, they create a place where they can truly be themselves. But how real is their world?

- The Return (Kthimi) / Kosovo (Director: Blerta Zeqiri, Screenwriter: Shefqet Gjocaj)
A man comes back from a Serb prison to his wife and son. Much has changed since he was declared missing and continuing where they left off four years ago may not be as easy as it seems.

- Surveillant / Canada (Director and screenwriter: Yan Giroux)
It’s another quiet summer day in Park Dufresne. The neighborhood youth loiter around the park until a new park monitor appears for his first day of work. Two universes clash and a territorial struggle begins.

- Tooty’s Wedding / United Kingdom (Director: Frederic Casella, Screenwriters: Laura Solon, Ben Willbond)
A young couple’s marriage hilariously hits the rocks during a weekend wedding in the country.

- Tumult / United Kingdom (Director and screenwriter: Johnny Barrington)
A tribe of Norse warriors traipse across a barren land after battle. Bloodied and wounded, their chief is near death. He is about to hand over power to his son when an army of a completely different kind descends upon them.

INTERNATIONAL DOCUMENTARY SHORT FILMS

- Into the Middle of Nowhere / United Kingdom (Director: Anna Frances Ewert)
The documentary is about the uniqueness of childhood and the exploration of the human mind. In an outdoor nursery based in the woods, children create their own individually constructed worlds and can test out the boundaries of reality.

- Stick Climbing / Austria, Switzerland (Director: Daniel Zimmerman)
A contemplative walk leads to a bizarre climbing tour going from everyday village life to a seemingly impossible ascent.

INTERNATIONAL ANIMATED SHORT FILMS

- 663114 / Japan (Director: Isamu Hirabayashi)
I am a 66-year-old cicada. There was a big earthquake. There was a big tsunami. There also was a big accident.

- Belly / United Kingdom (Director: Julia Pott)
Oscar is coming of age, against his better judgment. In doing so he must experience the necessary evil of leaving something behind, but he can still feel it in the pit of his stomach.

- BOBBY YEAH / United Kingdom (Director: Robert Morgan)
Bobby Yeah is a petty thug who lightens his miserable existence by brawling and thieving stuff. One day, he steals the favorite pet of some very dangerous individuals, and finds himself in deep trouble. He really should learn, but he just can’t help it.

- A Morning Stroll / United Kingdom (Director: Grant Orchard)
When a New Yorker walks past a chicken on his morning stroll, we are left to wonder which one is the real city slicker.

- Robots of Brixton / United Kingdom (Director: Kibwe Tavares)
The trials and tribulations of young robots surviving at the sharp end of inner city life, living the predictable existence of a populous hemmed in by poverty, disillusionment and mass unemployment.

- Slow Derek / United Kingdom (Director: Dan Ojari)
The tale of Derek, an office worker, as he struggles with the true speed of planet earth.

NEW FRONTIER SHORT FILMS
An electrifying celebration of innovation in filmmaking, these New Frontier shorts, through bold color and thought-provoking messaging, electrify and energize the mind.

- The Conquerors (Les Conquérants) / Canada, France (Directors and screenwriters: Sarolta Szabo, Tibor Banoczki)
What exactly we need to build new civilization? Bravery? Courage? Power? Or the only thing we need is to successfully destroy an already existing one.

- The Diatom / U.S.A. (Director: Chris Peters)
The diatom is the most numerous species on the planet, the basis of the aquatic food chain, produces most of the oxygen on earth, and is a key scientific indicator of the health of a water system. In order to understand our place in the world this mixed-mode ’science film’ observes renowned Utah-based scientist Sam Rushforth and his team in the wide isolated landscape then in the lab and finally goes through the microscope to the diatom itself.

- Fragments of Dissolution / U.S.A. (Director: Travis Wilkerson)
A poetic, anguished cry from the heart of a rotting empire. Four women describe their own unique hells. Children, brothers, and friends burned alive while simply trying not to freeze. Husbands and sons deployed over and over, who kill themselves rather than fighting again. From Ft. Lewis to Detroit, the empire is devouring its own intestines.

- Moving Stories / Belgium (Director and screenwriter: Nicolas Provost)
Two young passengers adventure towards a mysterious future.

- SEEKING THE MONKEY KING (Director: Ken Jacobs)
The film could have well been called KICKING AND SCREAMING but that only describes me in the process of making it, questioning its taste. Cut through the flashy swastikas and one sees the German Nazis were Christians fulfilling historic obligation (The Final Solution) with relatively few so well-read as to imagine themselves Nietzscheans. SEEKING THE MONKEY KING is a reversion to my mid-20s and that sense of horror that drove the making of STAR SPANGLED TO DEATH.

CineLink – Call for Entries

December 2nd, 2011

Sarajevo Film Festival is proud to once again announce that call for entries for filmmakers from Southeast Europe to participate in the CineLink Project Development Workshop and Co-Production Market is open from 1st of December, 2011.

Deadline for project submissions is 27th of February, 2012.

CineLink project, the backbone of the Sarajevo Film Festival’s Industry Section, is a development and financing platform for carefully selected local feature projects destined for European co-production.

With average conversion rate of its selected projects from development to production of over 60% in the past 9 years, CineLink grew into one of the most successful development and financing platforms in Europe. Selection and diversification in development are central to this success, while focus on local productions with international potential, emerging talent and contemporary cinematic language proved essential to the program’s raising profile in the film industry.

Most promising projects from Southeast Europe are selected every year by the selection committee focusing on authentic stories with international potential, emerging talent and modern cinematic language, for a series of tailor-made development workshops culminating in a financing event taking place during the last three days of the Sarajevo Film Festival (from the 11th to the 14th of July, 2012). This event, the CineLink Co-production Market, totals more than 500 participants from all spheres of the film business ready to network, discover talent, co-produce or commission new projects, while creating an annual hub for regional professionals and adding international industry relevance to the Festival.

CineLink is open for feature-length fiction film projects with potential for theatrical distribution, created by authors from Albania, Austria, Bosnia and Herzegovina, Bulgaria, Croatia, Cyprus, Georgia, Greece, Hungary, Macedonia, Malta, Montenegro, Romania, Serbia, Slovenia, Turkey and UNMI Kosovo.

Selected projects compete for the CineLink awards:
- 30 000 EUR Eurimages CineLink award
- 10 000 EUR CNC CineLink award
- 6 000 EUR Arte International Relations CineLink award

Also, all selected projects compete for
- Living Pictures Service CineLink Award – in kind support up to 10.000 EUR
- 3 x Synchro Film Vienna CineLink Award – in kind support up to 2.500 EUR
- EAVE Scholarship

For further information:
CineLink Co-Production Market 2012

Submit your film: Cinema Perpetuum Mobile

November 24th, 2011

“Cinema Perpetuum mobile” is an international cinema cooperation festival that gathers independent film makers and their groups to work under the theme of the perpetual motion.

The authors are free to artistically interpret the theme and develop their ideas on what the “perpetuum mobile” is.

The project is aimed at cinema cultural diversity and the promotion of independent auteur movies. Festival co-operation aims to cover all countries and continents from Scandinavia to the Cape of Good Hope and from Patagonia to the Aleutian Islands.

“Cinema Perpetuum mobile” is a non-commercial project, so the organizers aspire only to cover their expenses on the festival while the participants whose films are included into a short list, are likely to receive dividends in case the collection of “Perpetuum Mobile” films is shown in cinemas after festival. The participation in our cinema cooperation festival is free. Organizer of the festival is an independent association «Kinaklub.org», with the following principles: cinemania, self-organization, decentralization, mutual aid.

Deadline: December, 1st, 2011.

More info: cpm.kinaklub.org/en

EFM Film entry

November 7th, 2011

The European Film Market (EFM) runs for nine days as part of the Berlinale, one of the most important film festivals in the world.  As the first major film event of the year, it is a magnet for international industry professionals, and is seen as a barometer for the upcoming year in film.

The EFM is the business centre of the festival. Each year, producers, distributors, buyers and sales agents converge at the EFM where both commercial art-house and specialized mainstream are given star billing.

The goal of the EFM  is to provide producers and buyers with a marketplace where they can discover the best quality products in the film business.

EFM continues to promote discovery, facilitate collaborations and provide platforms for productions in development.

The EFM gives priority to feature length theatrical films. Programmes of short and medium-length films are only presented on the first two and last two days of the EFM and will be shown in video format.

Deadline for submitting a film for a screening at the EFM is December 22, 2011. After this date the inclusion of a film in the official EFM Catalogue cannot be guaranteed.

For more information (dates, entry criteria, prices etc.) visit:  http://www.efm-berlinale.de/en/films/film-entry/film_regulations/film_regulations.php

Black Shorts – New Visions of Georgia

November 7th, 2011

Five experimental short films on everyday life in Georgia

Plotki (Rejs e.V.), Sakdoc Film and the Centre for Arts and Culture at the Central European University proudly present five Black Shorts from Georgia.

In May 2011, twenty young creative people from across Europe met for the first time in Garikula, Georgia. Some of us had never made a film before in our lives, whilst others had considerable experience in the medium. Each of us arrived with a topic for a possible film in mind and more topics came up as we discussed film, Georgia and the perfect khachapuri (Georgian cheese bread). After some basic training in filmmaking, we split into 5 groups and set off to different parts of the country for 8 days of shooting, before meeting again in Tbilisi to review our footage. After a fortnight’s break, we came together in Budapest and edited the footage over four days. The resulting Black Shorts are as diverse as they are intriguing. The films capture the endearing character of a barber’s shop in Tbilisi; the highflying web of cable cars in Chiatura; the lively theatrics of death in Kutaisi; the second life of objects as scrap metal in-and-around Zugdidi; and a day in the life of an underpass’s resident band in Tbilisi.

Is this really the best way to make films?

Probably not. You might want to choose people with more experience in filmmaking, to give people set roles and to allow much more time for everything – but Black Shorts is about more than just filmmaking. It’s about people exploring a new country through the medium of film, it’s about the interactions between young people from different parts of Europe, it’s about learning how to work with a new medium, it’s about the challenges and joys of group work and about making new friends in countries many of us have never been to before. But most of all, it’s about the joy of spreading a collective rumour (a plotki) throughout the region.

So why Georgia? Why Black?

Black is both a provocative colour bristling with symbolic tension, and the mundane colour of everyday Georgian life found in most peoples’ clothing, hair and the name of the sea. This fascinated us, as it allowed an entry point for exploring everyday life along broad thematic lines that did not exoticise, and yet it still stimulated the artistic imagination. It was suitably provocative, with angry complaints from Georgians outside Georgia demanding we should rather focus on the ‘positive’ aspects such as Georgian folklore. And yet, encouragingly for all involved, it was warmly greeted by those who were the subjects of the films; they were more than happy to have their everyday stories filmed and we became friends. We hope the films did them justice.

Where next for Black Shorts?

The Worldwide Premiere took place in Budapest on June 9th 2011, the films will be published online and the DVD is currently working its way across the continent. Depending on when you read this, you may have missed, or may still have time to catch, screenings in Tbilisi, Berlin, Prague, Garikula, Sofia, Bucharest, Leipzig, Frankfurt/Main and once again in Budapest.

Black Shorts is generously funded by the European Cultural Foundation and The Open Society Institute.

Hair – It’s one of the most visible parts of our body whether black or white, long or short, straight or curly. This black short concentrates on hair as a character and takes place where it is shaped – a barber’s shop in Tbilisi. Nowadays many mainstream salons are alike, but the barber shop in Hairminators retains the ˜white gowned” spirit of old. Waiting involves dominoes, eating, chatting, singing, or even sleeping before the hair which “needs to be organized” arrives (14:25 mins) (A film by Data Chigholashvili, Salome Joglidze and Birgit Kuch)

Chiatura was once one of the most prosperous industrial cities in Georgia, boasting rich resources of manganese. Due its location in a steep valley surrounded by high mountains, Chiatura installed a system of cable cars to transport workers to and from the mines, as well as manganese from the mines to the factories. With deindustrialisation the manganese industry shrank and Chiatura’s population halved, but many of the cable cars still run, establishing a net between the city and its people. Chiatura, my Pride explores how this extraordinary transport system gives character to the city forty years after its installation. (13:43 mins) (A film by Stephanie Endter, Max Kuzmenko, Lisa Müller, Ulrike Penk and Kajetan Tadrowski)

Gulo – is a film that explores the line between death and life, visualising the theatrical happenings and settings surrounding burial rituals. Often death is presented as the ending of life, something feared by people. Contrary to this, Gulo shows the diverse approaches to death and reveals the thoughts of people who are directly connected to the passageway between life and death: “death no longer interests me. I wish I had a different life, I want to be on stage.” Gulo is shot in Kutaisi. (15:41 mins) (A film by Elene Asatiani, Eliane Bots, Mirek Koranda and Sophia Tabatadze)

harvest georgia – Weathered hands move scrap metal from the homes of those who live in and around Zugdidi to the Black Sea port of Poti, and Georgian society moves too, moulding itself around one of the country’s leading exports. From bathtubs, bedsprings and boilers to pots & pans, tin cans and coat stands… in Harvest Georgia the process of scrap metal collecting, weighing and exporting is told through the interaction of these re-valued objects, with those who handle them as part of their everyday lives. (6:37 mins) (A film by Odeta Catana, Ian Cook, Angelika Herta and Zhenya Zakharova)

Under a – Form of government: presidential parliamentary democracy. Official language: Georgian. Population: 4.6 million. Capital: Tbilisi. As the eye deciphers the fading inscriptions in the underground passage and the body instinctively avoids the commercial humdrum, the ear catches the music. Under a is a film about the passage that runs under Tbilisi’s centrally located Freedom Square, and follows a band’s everyday flow in an underground place filled with tunes. (16:07 mins) (A film by Natalia Buier, Madis Kats, Filip Pospíšil and Mikheil Svanidze)

The Black Shorts films are only avaible on http://daazo.com/blackshorts.

Berlinale – Call for Short Films

November 7th, 2011

There is still time to enter your short films into the Berlinale!

Deadline for receipt of entry forms and short  films: November 14, 2011

A film entry is only possible with a personal account and using the online registration form.

In order to submit a film to the Berlinale you have to send the film and the completed online film entry form to the Festival before the given deadline.

Please read the Festival’s General Regulations for film entries, the specific regulations of the section(s) for which you wish to submit a film, as well as the “How to Berlinale” short guide to film submission.

For more information, check out the Berlinale website.