Posts Tagged ‘animation’

Call for participants: Stop motion animation workshop 11-18th March 2012 in Malmö, Sweden

Wednesday, January 18th, 2012

Nisi Masa Sweden is organizing a five-day stop motion animation workshop during BUFF – the International Children and Young People’s Film Festival in Malmö.

Nisi Masa will invite ten filmmakers from different countries as well as five filmmakers from Malmö, to form five teams. Each team will make a one-minute film aimed at a target audience between 7 & 12 years old.

Nisi Masa are looking for five directors who apply with a synopsis (max ½ page) for a 1-minute stop motion film aimed at the target audience. We are looking for strong visual stories, not dialogue-based.

Nisi Masa are also looking for five DOP’s and five sound designers. As Nisi Masa would like to have one person in each team with some experience of stop motion animation, please state in the application if you do.

The scripts will be developed in advance through Internet communication with a tutor and together with the team. The scripts have to be ready when participants arrive on the 11th of March.

Parallel with the script development, the teams will be working on developing the visual concept (characters and storyboard).

Nisi Masa are happy to present the tutors!

- Lotta Geffenblad, illustrator and animator, with over 20 years of experience and one of the leading animators in Sweden will be guiding and inspiring the participants’ work on character design in the preparation phase. Read more about Lotta here: http://zigzag.se/about/about-lotta/

- Janne Vierth, script writer, who has written for several of the most popular children’s programmes in Swedish Television will be guiding the participants during the script writing process and the editing. Read more about Janne here: http://www.imdb.com/name/nm2362231/

- Mikael Lindbom, animator and CEO at Dockhus Animation, with many years’ experience in stop motion animation and thorough knowledge of every step in the technical process, will be guiding the animation process during the week. Read more about Dockhus Animation here: http://www.dockhusanimation.com

About the theme

Animation is a concise and creative way to examine and understand the making of film. There is a shortage of films for children aged 7-12 and this workshop is a great way to get inspired and to learn the excitement in telling stories to kids.

Who can apply?

Filmmakers between 18 & 35 years old can apply.

European residents can apply. Applicants from non-European countries can apply but some respect might be paid, in the selection, to the costs of travel as there is a limited budget.

Practical details

You apply either as director, as DOP or as sound designer. If you are applying as director you should submit a synopsis, maximum ½ page, for the film you wish to make during the workshop. Preferably the films should be made to work internationally and therefore neutral in language. Use little or no dialogue or dialogue in made up language.

Editing and animation will be done in Dragon Frame 3.0 and experience is desirable but not required. Free trial software download is available at www.dragonframe.com

Participants will be put in teams of three, out of which one person will be a Malmö resident.

After the announcement of selected participants (in the beginning of February) participants will be expected to set aside a considerable amount of time for pre-production.

The workshop begins on Sunday evening with a cocktail and introduction. Then follows five days of production. The workshop ends on Saturday with a screening at one of the festival cinemas.

Each team will be equipped with a stop motion animation kit. There will be access to a sound proof room for sound recording. If you want to use your own camera and or lap top/software please state this in the application.

There is a participating fee of 50 Euros, which is to be paid in advance.

The fee includes:

Travel costs, including train fare between airport and Malmö C (Visa costs will not be covered)

Accommodation at a central hostel

Lunch and dinner Monday-Saturday

IMPORTANT: After having been selected for the workshop you will be asked to sign a distribution contract which in short means that all distribution rights will be given to Nisi Masa Sweden. This is to ensure that we will be able to make a DVD with all the films and distribute it to schools, libraries and festivals. Any awards that might be given to a film will still be attributed to the filmmakers.

Preliminary schedule

- 28 January: Application deadline.
- 1 February: Announcement of selected participants and division of teams
- 6 February: First report of teams’ planning process and first script draft to be emailed to tutor.
- 10 February: Feedback from tutor
- 14 February: Second script draft to be emailed to tutor.
- 17 February: Feedback from tutor.
- 22 February: Deadline for emailing final script and the teams’ material decision.
- 22 Feb-8 March: Continuous work with storyboard and characters.
- 8 March: Deadline for emailing final storyboard and character description.
- 11 March: Arrival in Malmö.
- 12 March: Workshop starts.
- 17 March: Public screening of the films.
- 18 March: Departure

Fill out the application form below and send it back to malmo@nisimasa.se before January 28th

52. Krakow Film festival

Monday, January 16th, 2012

The 52nd Krakow Film Festival (KFF) will be held from 28 May to 3 June 2012. The aim of the Festival is to present and review documentaries, animated and short feature films in three competition as well as in other festival sections.

The competition sections include:

1) national competition open to films made in Poland with a running time of:
- documentary films – 60 minutes or less
- documentary films – more than 60 minutes
- animated films – 30 minutes or less
- feature films – 30 minutes or less

Polish producers submit their films only to the national competition. The Selection Committee decide about Polish films which will participate in the international competitions (they have to fulfil conditions specified in each competition). Polish premiere is not required but preference is given to the films that have not been theatrically released or screened at any festival in Poland before the 52nd KFF.

2) international short film competition open to documentary, animated and feature films with a running time of 30 minutes or less.

Polish premiere is not required but preference is given to the films that have not been screened in Poland at any festival held before 52nd KFF.

3) international documentary film competition open to documentaries with a running time of:
- 30 to 60 minutes – medium-length documentaries
- more than 60 minutes – feature-length documentaries

Polish premiere is required.

Only the films completed after 1 January 2011 are eligible for competitions.

The Festival Director shall decide whether the film has been admitted to the competition.
The films submitted for the previous editions of KFF that were not selected for screenings as well as those already screened will not be considered. The Applicants may not appeal against the Festival Director’s decision. The Organisers may withdraw from the requirements included in these Rules and Regulations for films of exceptional artistic value.

The non-competition sections include:

Subject to the Organisers’ decision, the films submitted for selection may be screened in the non-competition sections of the Festival: Panorama of the Polish Film, Krakow Documentary Premieres, Sound of Music, Somewhere in Europe, and others.

SELECTION

There is no fee for a film entry.

Films shall be submitted exclusively on DVDs.

Selection deadlines:
30 November 2011 for films completed before 31 August 2011
10 February 2012 for films completed after 31 August 2011

In order to be considered for selection, film must be submitted using on-line entry form available at www.krakowfilmfestival.pl and a preview copy (DVD) must be delivered as scheduled above (but not later than 7 days after on-line registration) to the following address:

KRAKOW FILM FESTIVAL
ul. Basztowa 15/8a
31-143 Kraków
Poland
tel./fax: +48 12 2946945
e-mail: selekcja@kff.com.pl

If the above deadlines are not observed or the on-line entry form is not duly completed, the Organisers have no obligation whatsoever to admit the film. Preview copies (DVDs) submitted for selection will not be returned.

More info: http://www.kff.com.pl/19snMMhj32_regulations52.php

Ticket premiere at the 56th Valladolid International Film Festival

Monday, October 24th, 2011

Oscar winner Ferenc Rofusz’ new animation will premiere at the 56th Valladolid International Film Festival, Seminci. The 9-minute cartoon is competing for the outstanding Spanish fest’s Golden Spike.

“What is Life?” Ferenc Rofusz’ new film the Ticket addresses the eternal question. This film follows a man’s life from his own point of view, from birth to death. The turning points of life constitute the very essence what our hero’s existence is enveloped. The meaning of life is a life with a meaning!

A Cameofilm production.

Rofusz world famous animation from 1980, The Fly, currently celebrates the 30th jubilee of his Academy Award won in 1981.

For more animation by Ferenc Rófusz CLICK here!

High quality and diversity of European animated series energized Cartoon Forum 2011

Tuesday, September 20th, 2011

- Latest generation of animated series presented in Poland sparks broadcaster and investor interest across Europe

- Quality and creativity set apart European animated series as they gain TV slots

- Series for children aged 6-9 and preschoolers still prevail in Europe but interest for projects targeting young adults is growing

European animation for television has a promising future ahead, with strong quality projects sparking the interest of broadcasters and investors as well as audiences. Such was the conclusion from the 22nd Cartoon Forum, the European co-production forum which closed its doors on 16th September in Sopot, Poland.

The positive sector trend was helped by a significant rise in investments and production volume, which grew about 30% year on year according to information from the event’s organisers, CARTOON – the European Association of Animation Film. Creativity and a large diversity of concept and design stand out as characteristics of European animation.

The latest edition of Cartoon Forum served as a showcase for 66 new projects for animated series which sought wider distribution and financing at the event. Studios from 19 countries are involved in the production of the projects, which have a total budget of 215 million Euros and represent some 468 hours of content.

Series for children aged 6-9 and preschoolers remain the most popular in Europe, representing 33 and 29% respectively of the total. The event also detected a growing interest in projects for young adults, a trend which could eventually lead to new slots for animation in channel programming.

With a third of the projects selected, France was the main protagonist of the event with eight of the 10 most-attended projects (list below). Meanwhile, Britain and Spain doubled their participation from last year with 14 and 11 projects respectively while Polish animation showed its potential with five projects.

Irish animation took the Cartoon Tributes 2011 – the annual awards to outstanding companies that have had a dynamic influence on the European animation industry – winning Broadcaster and Producer of the Year (RTÉ and Monster Animation, respectively). As for Investor/Distributor of the Year, the award went to awol animation, a Paris-based company headed by Ireland’s Julie Fox.

The future promise of animation also had a place at Cartoon Forum Polska with the Cartoon d’Or award for the best European animated short film of the year, which this year went to “The Little Boy and the Beast” directed by Johannes Weiland and Uwe Heidschötter (Germany) and produced by Studio Soi in Ludwigsburg.

The next edition of Cartoon Forum will take place from 11 to 14 September 2012, in Toulouse, one of France’s most dynamic cities and home to some of French animation’s best studios.

CARTOON FORUM POLSKA – Top ten projects in terms of attendance at the pitching session
- “Oscar and Hoo” – Frog Box (FR) – eOne (UK)
- “Burny the Little Dragon – LuxAnimation (LU) – Gaumont – Alphanim (FR) – Cromosoma (ES)
- “Dimitri” – Vivement Lundi! (FR) – Beast Animation (BE) – Nadasdy Film (CH)
- “Roger” – Je Suis Bien Content (FR)
- “Hubert & Takako” – Xilam Animation (FR)
- “The Crumpets” – 4.21 Productions (FR) – Redcastle Mediaconsulting (FR)
- “Secret Ranch” – Tele Images Productions (FR)
- “Crazy Cavemen!” – Silver Fox Animation (UK) – Evergreen Entertainment (UK) – Cine Cartoon (AU)
- “The Cookie and Crime Club” – Neomis Animation (FR)
- “Ori & Gami” – Jus de Prod (FR) – 2 Minutes (FR)

Cartoon Forum Organisation: Annick Maes – annick.maes@cartoon-media.eu – Tel: (32) (2) 242 93 43
International Press: Gerardo Michelin – gerardo@latindie.com – Tel: (34) 630 57 22 68

KEDD Animation Film Club in KINO Cinema at Budapest

Monday, August 29th, 2011

Do you see it? Do you also get it? Come Tuesday in Budapest KINO Cinema!

KEDD  Animation  Film  Studio  (where  Oscar-nominee  Maestro  was  created)  jointly  with  KINO Cinema launches its publicly open animation student film club. In the fall you can get  an insight into how and for what purposes animated short films are made, and understand how  they work as motion pictures. During this three months we will explore the various animation  film  techniques  and  how  animated  films  interpret  such  disciplines  as  literature,  sociology,  history,  art,  ecology  or  music.  You  will  see  must-see  classics  and  the  latest  cutting-edge  shorts in a single sitting per week. Our guides will be such film experts and animation film  makers  as  Géza M. Tóth,  director  of  Maestro,  the Oscar-winner Ferenc Rofusz  or  Daazo-favorites Tomek Ducki and Attila Bertóti.

Week  after  week  as  an  accompanying  program  Daazo.com  makes  a  short  film  public  from  the  current  KEDD-KINO  line-up.  Watch  the  given  short  online  and  enjoy  the  rest  of  the  programme live in KINO Cinema!

The  first  session  starts  at  4  pm.  September  13th  in  Budapest  KINO  Cinema  hosted  by  the Academy  Award  Winner  Ferenc Rofusz.  Participation  is  free  of  charge  and  everybody  is welcome.

See  KEDD-KINO’s  cinema  syllabus  below  and  check  out  their  blog  site  for  detailed  information about screening lists and invited professionals.

Program:

september 13.
- Drewing and Painting Animation

september 20.
- Digital Cartoon Film

september 27.
- Puppet Animation and Claymation

october 04.
- Stop Motion

october 11.
- Digital 3D Animation

october 18.
- Animation and Literature

october 25.
- Animation and the Fantastic

november 08.
- Animation and Art

november 15.
- Animation and History

november 22.
- Animation and Socilogy

november 29.
- Animation and Ecology

december 06.
- Animation and Music


For more information, visit:
www.keddkino.blogspot.com

Animation for Everyone

Monday, June 20th, 2011

A final hint of the 10th Kecskemét Animation Film Festival

After spending a couple of days watching animation I kind of have the feeling that reality is jut not good enough. I could dive into those colorful worlds and watch them on and on forever. Though it has to stop sometime, and here it comes the report of the very last day of KAFF.

We started with the selection of Cartoon d’Or Nominees 2010 and we immediately fell in love with a couple of pieces. Angry Man by Anita Killi is a tough story told by fascinating pictures that takes the hardboiled events to a fairy tale land and that makes it really good. It’s a film about secrets that shouldn’t be secret. When the mommy-fish dies, Boj has had enough, and gets power from his own fantasy to go further. We also enjoyed the idea of Francois Alaux’s Logorama that takes place in a version of Los Angeles comprised entirely of corporate logos. For the chasing story of an armed criminal Alaux won the 2010 Oscar for Best Animated Short Film. The Tale of Little Puppetboy by Johannes Nyholm was quite funny. Puppetboy is sweating floods of clay, preparing for a lady’s visit. He becomes even more nervous when she arrives. It’s a claymation drama in four episodes.

Angry Man by Anita Killi

The section was followed up by the Best of Annecy 2009 programme. It was quite various in quality, though we liked a couple of them. The Man in Blue Gordini by Jean-Christophe Lie takes place at the end of the 70’s in an imaginary suburb, where the custom is to wear neither underwear nor trousers, only orange tops. With the help of a masked rebel driving a blue R8 Gordini, Mister R and his wife plot a radical clothing revolution and the assault of monochromic orange totalitarianism. Log Jam is a brilliant series by Alexei Alexeev about a bear, a rabbit and a wolf jamming in the forest. For Sock’s Sake by Carlo Vogele is also a cutie about a sock that falls from the clothesline and goes clubbing.


Log Jam by Alexei Alexeev

The last block we attended was Music and Animation / Films selected by Normand Roger composer. Normand Roger is a Canadian composer, sound editor and sound designer. He is particularly known for his work as a composer of soundtracks for animated films, having composed more than 200 such works since 1970. Thirteen of his works have been nominated for Academy Awards, of which six have won. He has chosen a couple of nice pieces for this collection Lost in Snow by Vladimir Leschiov and Village of Idiots by Eugene Fedorenko and Rose Newlove.


Village of Idiots by Eugene Fedorenko and Rose Newlove

The 10th Kecskemét Animation Film Festival ended with a huge ceremony where the awards were given to the following artist. A part of KAFF is the 7th Festival of European Animated Feature Films and TV-specials. The main prize of Kecskemét went to Jirí Barta for In the Attic. The winner of Best Feature Film was Dominque Monféry for Eleonora’s Secret. The Best TV-special became Esterházy by Izabella Plucinska. The Student Jury’s prize was given to Chico and Rita.


Zenit by Éva M. Tóth

The European programme was followed by the Hungarian prize-list. The Jury’s Prize were given to István Illés for track32. The Best Short Film award went to Éva M. Tóth for Zenit.

For more information and the complete list of the winners visit: http://www.kaff.hu/news/read/88/

Animation Rocks!

Monday, June 20th, 2011

A Glimpse of the 10th Kecskemét Animation Film Festival

Having Daazo.com based in Hungary we can’t be not interested in Eastern European short films and we kind of feel an urge to check out what the neighbor countries do anytime we can. So we kicked off the next day with a block titled From Year Zero to Ten – Selection of Czech Short Animation. There were mainly student films from FAMU, correct pieces, but nothing special, though we loved From the Lives of Mothers by Kristina Dufková. A story about a reckless offspring, its caring care-laden mother, and how mothers’ lives can become a big mess.

From the Lives of Mothers

Then we went back to watch something from the Hungarian Competition Programme. This time it was the block of Music Video, Applied Animation. Though the selection wasn’t as high standard as we expected, but at least we had the chance to become familiar with bands like Watch My Dying. The lead of the field was unambiguously a video clip from The Kolin titled Jimmy made by Danila Kostil. Then we went on the road of applied animation with singnals and TV spots at the Kiskakas Animation Celebration 2010 motion ID selection. The very best were created by László Csáki and Szabolcs Pálfi for the Titanic Film Festival and we also loved the ones made for MTV Hungary.

Titanic 2010

Then came the selection titled Best of LIAF 2010. I would like to highlight 12 Years by Daniel Nocke, because it’s amazingly funny. It’s about a girl who as the synopsis says for twelve years ignored sneers and mockery and stood up for her relationship. But that was probably a mistake. Furthermore Wings and Oars by Vladimir Leschiov also deserves applause for its beautiful visuality. It is not only the winner of London International Animation Festival but got an award at the Annecy Animation Festival 2009, too. Crocodile by Kaspar Jancis also grabbed our attention. It’s a story of a former opera star who must by the will of Fate work as a Crocodile in a styrofoam costume entertaining children in the children’s playroom of a shopping centre. This kind of life seems joyless and even disgusting to the former leading tenor, and he vents his frustration by behaving rudely. Until one day, into his life enters a fateful woman and… a crocodile. Finally we also loved Family Portrait by Joseph Pierce about a family portrait that goes horribly wrong as jealousy and suspicion bubble to the surface under the photographers relentless gaze.

Family Portrait by Joseph Pierce

Then we watched for a little bit of change another block of the Hungarian Competition Programme. This time a couple of episodes form TV-Series. It was all about nostalgia. New pieces from old masters like The Tragedy of Man / Oh, Fortune! by Marcell Jankovics, and a couple of cute but wittx fairy tales like The Talking Grape, the Smiling Apple, the Tinkling Peach or The Silken Meadow directed by Mária Horváth and Lajos Nagy. We also loved the episodes from the In the Round Four-Cornered Forest and The Wildly Travelled Little Mouse series. It was like being a child again. Thanks for the experience.

The Talking Grape, the Smiling Apple, the Tinkling Peach or The Silken Meadow

We ended the day with a European delicacy Chico & Rita made by Tono Errando, Javier Mariscal and Fernando Trueba directly from Spain at the European Competition Programme. It was a future film for a change and we had a nice feeling after watching it, though it was quite melodramatic and sometimes completely all over the top with all that passion, fighting and singing. So at the end of the day we had to realize that animation is all about music and it rocks!

Let’s get down to animation!

Friday, June 17th, 2011

Festival Report of the 10th Kecskemét Animation Film Festival

Hungary’s Kecskemét Animation Film Festival, the event to attend right now for any film fan and industry player, is celebrating its 10th edition this year. We already launched a collection of the best earlier shorts and now here we are right in the heart of the festival. We kicked off the 10th KAFF with watching Ferenc Cakó’s live sand animated show. It was the classic old type of performance with an artist doing something unusual but definitely beautiful in front of a live audience. The simplest thing. He draws in the sand. Nothing more, but it takes your breath away.

Here is a piece to get a glimpse of it:

After the deserved applause Ferenc Cakó was followed up by the first block of the Hungarian Competition Programme. A couple of shorts made by the very new generation of Hungarian animation directors completed by some new pieces from elder players. We couldn’t wait to hear what they have to say. We were touched by Ferenc Rofusz’s Ticket. A short that tries nothing less than to address and answer the question of “What is life?”. The film follows a man’s life from his own point of view, from birth to death. The turning points of life constitute the very essence of what our hero’s existence is enveloped in. The meaning of life? It’s more like a life with a meaning.

Check out his most famous film, the Academy Award-winner The Fly:

Another film that surprised us was Chess! made by István Orosz. Based on the recorded moves and a multiple retouched photo, the film is a reconstruction of a 100 year old chess game. Though the political aspects of the match override those of the game: the two leader’s of the Bolshevik party, Lenin and Bogdanov face each other. The animated film attempts, though in an ironic manner, to do justice to Lenin, so that he somehow manages to get out of a tight corner as the winner although he is threatened with checkmate.

Here is an earlier piece made by István Orosz:

Then the evening was finished with the reception for festival guests. Free dinner and drinks on top of Kecskemét with a Iunar eclipse coming around. Did we need anything more? Maybe a little bit more craziness. Hungarian animators are not into partying live, they do it on the big screen.

To be continued…

KAFF Animation Collection on Daazo.com

Monday, June 6th, 2011

Hungary’s Kecskemét Animation Film Festival is celebrating its 10th edition this year. On this occasion we collected 15 animated shorts connected to KAFF and made them available in a dedicated channel for a broad audience.

A Little Bit of History

The decision to organise a festival to celebrate both Hungarian animation and the city of Kecskemét itself was made over forty years ago with the foundation of the Pannonia Film Studio at Kecskemét. The era is customarily defined as the golden age of Hungarian animation film production. In 1996 a separate competition programme was established for European animated feature films as well. Hence, KAFF is two in one: the Kecskemet Animation Film Festival presents the latest Hungarian animated films, the Festival of European Animated Feature Films and TV-Specials shows European-made animations. At first KAFF was heId every three years, then in 2005 KAFF became a biennial. In 2011 the most prominent Hungarian and European animation artists will gather for the tenth time between June 15 and June 19 to celebrate Hungarian and European animation films.



Previous Winners of KAFF

On the occasion of the jubilee of KAFF the finest award-winning films of the previous nine festivals are included in this special edition.

The oldest piece is Mária Horváth’s Door No. 8, which won the award for Best Short Film at the very first KAFF in 1985. It is about an old man who finds himself in a pretty disturbing situation and place.

In 1993 Béla Weisz won the most prestigious award, the Grand Prix of the festival for Sprinkling. In this funny animation a pretty little mouse wakes up excited, and goes to open her front door expecting the “Eastern sprinklers”, however she gets more than a bit of a surprise.

The winner of the Best Short Film Award at the last festival in 2009 was Attila Bertóti. His film  Ariadne’s Thread claims itself to be the true story of Ariadne, Theseus and the Minotaur.


Why KAFF 2011 Is Special

KAFF 2011 celebrates among others the round birthdays of such acclaimed Hungarian animation directors as Marcell Jankovics and Zsolt Richly who turn seventy and Ferenc Cakó, István Orosz, Zoltán Szilágyi Varga who have their sixtieth birthday this year. In this online collection you can find a piece from each birthday director.

Marcell Jankovics world-famous animation director is celebrating his seventieth birthday this year. One of his masterpieces Fight is included in this collection. It was the winner of Palme d’Or for Best Short Film in 1977. Fight shows an unquestionable talent of anatomic drawing skill and animation competency. The way it uses perspectives, rhythm and dramaturgy makes this film a unique experience.

Another birthday director is Zsolt Richly who turns seventy this year. His ouvre is represented by Night in Transylvania, an episode from the sketch film Hungarian Pictures inspired by the work of Béla Bartók. The collection also includes the other episodes as well made by acclaimed Hungarian animation directors. You can watch Etude by Kinga Rofusz, Slightly Tipsy by Miklós Varga, Ballad by Éva Korda and Swineherd Dance by Tamás Patrovits.

Ferenc Cakó, one of the most well-known Hungarian animation film directors celebrates his sixtieth birthday this year. He gets a place in the collection with his Golden Bear-winning animation Ashes, which was created with his groundbreaking sand animation technique. It was made in the memory of her mother and talks about death and passing in a very touching way.

István Orosz also turns sixty in 2011. Private Nightmare, a truly representative short by him is included in the collection. Private Nightmare, an animated dreambook about a man’s eerie nightmare full of grotesque images and scenes that take place in the socialist countryside.

At last but definitely not least Culturhistorical Manoeuvre at Night can be watched by another celebrated director Zoltán Szilágyi Varga. The film is a parable about the aggressive political misinterpretation of the living and proud Trojan horse of culture.



Kecskemétfilm Studio’s 40th Jubilee

2011 is a double celebration for the residents of Kecskemét and for the fans of animation, as in addition to the 10th KAFF, Kecskemétfilm Studio is also celebrating another important anniversary: the 40th year of its foundation. In the spirit of the jubilee some of the most successful earlier creations of the studio are also included in the collection.

In Péter Szoboszlay’s How Did Ester Get On the Table? the fantastic and the prosaic-realistic aspects of the world are depicted from a little girl’s perspective who goes for a trip on her father’s table.

Gábor Homolya’s Western from the earlier creations of the Kecskemétfilm Studio is a bloody drama takes place in a far away western countryside.

Zoltán Szilágyi Varga is represented by another film in the collection, too. Court Record – In Memoriam Péter Mansfeld tells the story of the counterattacks that followed the suppression of the 1956 revolution and war of independence in Hungary. The short film focuses on Péter Mansfeld, who had just turned 18, when he was executed on March 21, 1959 in a solemnly premeditated political manoeuvre…

To learn more about KAFF 2011, visit their website: www.kaff.hu!

Check out the very best of KAFF and Hungarian animation here at Daazo.com!

Interview with Anat Costi, director of Befetach Beity (On My Doorstep) presented at the Cinéfondation

Wednesday, May 18th, 2011

Behind the Scenes at the Cannes Film Festival

Synopsis:
The film is a personal 6 minute animated short. It tells the story of a lonely young woman dealing with her personal and emotional defenses, and what happens once the defenses she worked hard to put in place and live with are
compromised. The film is an attempt to explain the feeling a lot of us get in life, when dealing with certain situations, when for a brief second our world is turned upside down.

You also have the editor’s credit on your short film. How do these two artistic approaches work together? How can you perform both roles?

Making an animated film is a little bit different than a live action one in this respect, at least when talking about a personal graduation project. While I was directing the film on paper, I already did a lot of the editing, from the storyboard to the video board stage, so that I had an edited rough version of the film before I started working on it. In the end, after animating the film, I already had all the shots and scenes in place. Every shot was timed when I animated it and already fit together with the entire context of the film. Probably, on a different project, I would have worked with an editor as well.

What was the production like for the film? How long did it take you, how did you fund it, etc.?

Well, the film was made as a graduation project. I worked on it for less than 10 months. Most of the time was for developing the story and main character, looking for the general look of the film, and directing it. Only the last 2.5 months were for animating the whole 6 minutes, and at the same time Noam Elron started work on composing the music and building the soundtrack. I was lucky to find people who related to the film and agreed to contribute to it, like Noam. The film wasn’t funded by anyone so I had to save in different aspects, doing most of the work myself on the film, relying on friends and some teachers for critique and advice and good friends and family for assistance with the film.

What do you expect from the Cannes Film Festival?

I think the thing I’m looking forward to most is both screening my short film in front of fellow filmmakers as a part of such a prestigious film festival, as well as meeting young and experienced filmmakers from around the world. I hope that getting to know filmmakers from around the world will open the possibility of collaboration and cooperation in the future.

What are your plans for the future?

I plan to continue making films and being involved in different creative projects. I truly love telling stories and striving to touch people in the process. So I plan working on that by making more films and hope that meeting fellow filmmakers in Cannes may be the gateway to new collaborations and opportunities.

I am also currently in the stages of developing the concept for a new short film. It will be very different than this film (Befetach Beity) in structure, genre and technique.

Find more interviews and articles about the World of Shorts in our Cannes 2011 Special Edition!