Posts Tagged ‘documentary’

Documentary Campus Masterschool is now open to receive applications

Sunday, November 6th, 2011

The Masterschool, is a Europe-wide development programme offering filmmakers a unique opportunity to access the international non-fiction market.

Producers and directors can apply with any type of documentary: history, science, arts, wildlife, natural history, cross-platform, series, one-offs, theatrical films, factual entertainment – any factual format is welcome.

Participants should be prepared for their projects to benefit from intensive script development.

What is the Documentary Campus Masterschool?

The Masterschool, is a Europe-wide development programme offering filmmakers a unique opportunity to access the international non-fiction market. It is a tailored programme in which 15 European producer/director teams develop their documentaries at 4 workshops across Europe over an intensive nine-month period before pitching their ideas to commissioners.

What projects can be submitted?

- Producers and directors can apply with any type of documentary: history, science, arts, wildlife, natural history, cross-platform, series, one-offs, theatrical films, factual entertainment – any factual format is welcome.
- Participants should be prepared for their projects to benefit from intensive script development.
- The story and characters should have the potential to reach global audiences.
- Projects that have already been pitched internationally are ineligible, as are ideas that need to commence production before the end of the programme.

What happens on the Masterschool?

Participants are treated to four intensive week-long workshops delivered by international experts matched to the particular needs of each year’s Masterschool intake. Each workshop takes place in a different European city and addresses different aspects of international production: storytelling for international audiences; how to finance films internationally; accessing international markets; the legal aspects of international co-productions; distribution; marketing; creating an online presence, and pitching. Participants are given tools to help them develop their idea at and between each workshop with the aim of pitching it to a panel of international financiers at the end of the programme.

Tutors

Each team is allocated two specially-chosen tutors from among the most distinguished TV executives in the industry. One will be a commissioner who will act as EP through the development process, from broadcasters such as ARD, ARTE, BBC, CBC, Channel 4, Discovery, France Television, Nat Geo, ORF, SVT, VPRO, YLE and ZDF. The other will be a well-known producer or sales agent, who will take on the role of mentor, advising on the best way to develop the idea to appeal to global audiences and funds.

Internships

Masterschool participants can complete an internship with an international production or distribution company in their field of interest, or with an international broadcaster, which will provide them with privileged insight into strategies for the global exploitation of factual content. They can also receive assistance to attend festivals and markets where international films are financed.

The Final Pitching Session

At the end of the Documentary Campus Masterschool, the projects are ready to be launched onto the international market. More than 50 high-ranking commissioning editors and distributors come to the specially-arranged Masterschool Pitching Session, after which the vast majority of Masterschool projects receive funding.

More info: http://www.documentary-campus.com/v2/page/masterschool/masterschool/

Nisimazine Bratislava

Friday, October 21st, 2011

Nisimazine will cover the One World / Jeden Svet Documentary Film Festival in Bratislava, from 28th November to 5th December in Bratislava, Slovakia!

They are currently seeking 7 aspiring young film critics, 2 video bloggers, and 1 photographer – between the ages of 18 and 35 – to join they international editorial team. Candidates must be citizens and/or residents of one of the following countries: France, Germany, Slovakia.

Please read the call carefully before filling in the application form and sending with the required materials by the deadline of 25th October.

Downloads:
- Call for Participants
- Application Form

About the Jeden Svet Documentary Film Festival:

Jeden Svet Documentary Film Festival is the only film festival in Slovakia addressing human rights, social and global issues using documentaries. The festival, now in its 12th edition, is a partner event of the One World Film Festival in Prague (Czech Republic).

Jeden Svet annually presents about 70 international documentaries, hosts a dozen of debates and receives around 14 000 visitors. In 2011 the program will be divided in 8 sections: ‘New Media Change the World’; ‘Roads to Freedom’; ‘Our R/evolution’; ‘Right to Know’; ‘Eco-activism’; ‘Female Worlds’; ‘Slovak Documentary’; ‘One World for Children’. The main theme of the festival for the upcoming edition will be ‘World online’, reflecting on “the widespread use of social networks, which brought the sharing of contents to a whole new level (…), an inseparable part of the dominoes – effect of the revolutions in the Arab world. (…) One World Festival will focus on films created thanks to digital technologies, or covering topics related to video-activism and to current possibilities of communication about human rights.”

Festival website: www.jedensvet.sk

And the Oscar goes to…

Monday, February 28th, 2011

The Academy Award Winner Short Films of 2011

The 83rd Academy Awards came to an end. The winners of the three categories where short films compete are the following. In the category of live action Luke Matheny won the Oscar for God of Love. The best animated short film was The Lost Thing by Andrew Ruhemann and Shaun Tan. The documentary award was given to Karen Goodman and Kirk Simon for Strangers No More. Congratulations to the winners!

Live Action
God of Love by Luke Matheny (New York University). A love-struck, dart throwing lounge singer finds his prayers answered when he receives a mysterious box.  See a short clip below!
A love triangle between two musicians and a young woman takes a surprising turn when one of them finds a collection of magical darts.

Animation
The Lost Thing by Andrew Ruhemann and Shaun Tan is about  a boy who finds a strange creature on a beach, and decides to find a home for it in a world where everyone believes there are far more important things to pay attention to.

Documentary
Strangers No More by Karen Goodman and Kirk Simon talks about an exceptional school in the heart of Tel Aviv where children from forty-eight different countries and diverse backgrounds come together to learn. Many of the students arrive at Bialik-Rogozin School fleeing poverty, political adversity and even genocide. Here, no child is a stranger.

The Oscars Neglected Categories: Best Short Films – Animation and Documentary

Saturday, February 26th, 2011

We are only two days away from the 83rd Academy Awards, so it’s high time to focus on the nominees of the best short films. Shorts compete in three categories: live action, animation and documentary. We have already presented the five nominees of the live action section. Check them out by clicking here!

This post is dedicated to animation and documentaries. Unfortunately these types of films usually get less attention from the broad audience and from the media as well. On the other hand there are some serious film lovers who would die to see these. Here at Daazo.com we personally believe that that these usually neglected or treated as secondary films are definitely worth watching. So here is a glimpse of them for everybody interested.

The five animation film directors nominated for the Oscar in 2011 are:
- Teddy Newton (Day&Night)
- Max Lang, Jakob Schuh (The Gruffalo)
- Geefwee Boedoe (Let’s Pollute)
- Andrew Ruhemann, Shaun Tan (The Lost Thing)
- Bastien Dubois (Madagascar, Carnet de Voyage)

Day&Night by Teddy Newton is a story about Day, a sunny fellow and Night, a stranger of distinctly darker moods and their encounter. Day and Night are frightened and suspicious of each other at first, and quickly get off on the wrong foot. But as they discover each other’s unique qualities – and come to realize that each of them offers a different window onto the same world – the friendship helps both to gain a new perspective.

The Gruffalo by Max Lang, Jakob Schuh tells the magical tale of a mouse who takes a walk through the woods in search of a nut. Encountering three predators who all wish to eat him – a fox, an owl and a snake – the plucky mouse has to use his wits to survive, creating an imaginary monster who then turns out to be only too real.

Let’s Pollute by Geefwee Boedoe using the style of of 50’s & 60’s educational films is a modern satire on how pollution is our heritage and keeps our economy growing strong, while instructing us how to be better polluters for a better blighted tomorrow.

The Lost Thing by Andrew Ruhemann and Shaun Tan is about  a boy who finds a strange creature on a beach, and decides to find a home for it in a world where everyone believes there are far more important things to pay attention to.

Madagascar, Carnet de Voyage by Bastien Dubois is a visual travel journal demonstrating the importance of dance, death, and traditional customs present and vibrant in the Malagasy society.

The five documentary filmmakers nominated for the Oscar in 2011 are:
- Jed Rothstein (Killing in the name)
- Sara Nesson (Poster Girl)
- Karen Goodman, Kirk Simon (Strangers No More)
- Jennifer Redfearn (Sun Come Up)
- Ruby Yang (The Warriors of Qiugang)

Killing in the name by Jed Rothstein is talkes about the case when in 2005, a suicide bomber walked into Ashraf’s wedding, killing 27 people. Now Ashraf is on a quest to confront terrorism around the globe.

Poster Girl by Sara Nesson is about an Apple pie cheerleader turned tough-as-nails machine gunner in the Iraq War, Sgt. Robynn Murray who comes home to face a new kind of battle she never anticipated.

Strangers No More by Karen Goodman and Kirk Simon talks about an exceptional school in the heart of Tel Aviv where children from forty-eight different countries and diverse backgrounds come together to learn. Many of the students arrive at Bialik-Rogozin School fleeing poverty, political adversity and even genocide. Here, no child is a stranger.

Sun Come Up by Jennifer Redfearn tells the story of some of the world’s first environmental refugees, the Carteret Islanders. The film follows relocation leader Ursula Rakova and a group of young families as they search for new homes in war torn Bougainville, an autonomous region of Papua New Guinea.

The Warriors of Qiugang by the Oscar winner Ruby Yang presents villagers in a remote district of central China taking on a chemical company that is poisoning their water and air. For five years they fight to transform their environment and as they do, they find themselves transformed as well.

The CEU Summer University – documentary and anthropological filmmaking

Tuesday, February 1st, 2011

July 4-22, 2011 Budapest, Hungary

Faculty
- Michael Yorke, University College London, Department of Anthropology, UK
- Vlad Naumescu, Central European University, Department of Sociology and Social Anthropology, Hungary
- Michael Stewart, University College London, Department of Anthropology, UK/ Central European University, Nationalism Studies
- Ben Pollard, InSight – Center for theory and practice of film, UK

BRIEF COURSE DESCRIPTION

Recent years have witnessed a growing interest in anthropological filmmaking in the academia and the documentary film world. With visual media playing an increasingly central role in the modern world, the textual bias of the social sciences came under increasing pressure. Challenging this state of affairs, visual anthropology and filmmaking showed how visuality provides new and creative means for understanding and representing social life. The visual has become a primary tool for teaching, documenting, analyzing social phenomena but also communicating and engaging with broader audiences. This course enables researchers to use film more consciously and creatively in order to gain a new perspective in their approach to the world and learn to convey their ideas in a new language.

The course provides a state-of-the-art training for social scientists interested in filmmaking. It focuses on cross-cultural ethnographically informed filmmaking, combining an intensive three weeks training in practical filmmaking with discussions on history, genres, ethics and theories of visuality. Taught by academics and film professionals with expertise in visual anthropology and ethnographic filmmaking, the course combines a practical, hands-on camera training with a series of theoretical sessions and masterclasses.

Applications are invited from graduate students, young researchers and junior faculty in anthropology/sociology and connected fields interested in using film in their research and/or teaching anthropological filmmaking at their universities. Previous filmmaking experience is not required.

Application deadline: February 15, 2011

For further academic information on the course and on eligibility criteria and funding options please visit the web site.

The PUMA

Tuesday, September 14th, 2010

Creative Catalyst Awards are here to support the development of your documentary film idea and give you resources to shoot and edit your trailer.

With four open calls each year, there are 40 awards available of up to 5,000 Euros each.
Awards are open to emerging and established filmmakers working anywhere in the world.

For more information on how to apply please go to: http://puma.britdoc.org/pages/683/view
For more information on the BRITDOC/PUMA partnership please go to: http://puma.britdoc.org/pages/681/view

East European Forum 2010

Friday, August 27th, 2010

Dates: October 21- 28, 2010

Location: Jihlava, Czech Republic

Duration: 7 days

Participants: Approx. 24 filmmakers – 12 producers and 12 directors representing their film projects. At the East European Forum, 10 – 12 selected projects and another 14 projects from the year-long workshop Ex Oriente Film – also organized by IDF – are included in the pitch sessions.

Panel: Approx. 35 commissioning editors as well as sales agents, distributors, fund and VOD representatives participate in the Forum, either as panel members or observers.

APPLICATION DEADLINE: September 3, 2010
More info: www.dokweb.net/en/east-european-forum

Apply for the East European Forum

Friday, August 6th, 2010

This year the Forum celebrates its 10th anniversary! For the whole decade it has been the region’s largest meeting of East European documentary filmmakers and leading European commissioning editors, distributors, buyers and film fund representatives. Directors and independent producers offer their projects for co-production, pre-sales or any other form of financial support. To this date, some 60 documentary films have been made with the support of the Forum.

To fill out the application form, please go to here!

Deadline: September 3, 2010
Forum Workshop: October 21 – 24, 2010
Doc Presentations and Feedback Round Tables: October 25 – 26, 2010

Industry Networking Programme for Participants: October 27 – 30, 2010

For more information, please visit: www.DOKweb.net

8th International Human Rights

Wednesday, June 30th, 2010

The 8th International Human Rights Documentary Film Festival Docudays UA will be held
March, 25—31, 2011 in Kyiv, Ukraine.

The Festival is a strictly non-profitable event. Its main aim is promotion of open social
dialogue, respect to human rights and dignity, strengthening supremacy of law in the Ukraine.
Program

Organizers will concentrate equally on both artistic merit and human rights content. Acceptance
or rejection films is totally depend upon the artistic and topical value of the films. The Festival
has both competitive and non-competitive programs.

For Art Competition and Human Rights Competition – only films completed after 1st January
2010 may be submitted to the selection.

For Non-Competitive Program – the Festival does not limit the term of production and release of
film. The main condition is that a film must not be demonstrated in Ukraine earlier.

Please, do not offer films produced for order of organizations or projects. Films that serve as
vehicles of political or social propaganda, promote interests of public campaigns, lobbying
factions or business companies, films that are principally instructive or didactic will be rejected
immediately.

Participation in other festivals will not preclude documentary films from participation in
Docudays UA.

There are two competitive categories: Art Competition and Human Rights Competition.

The Non-Competitive Program is composed of retrospectives and thematic categories.
The Festival will present:
- Best films of New Documentary language
- Best films on human rights protection
- Special projects
- Documentary Co-production
- Workshop
- Master classes delivered by leading experts in documentary

More info: www.docudays.org.ua

Dialëktus European Documentary and Anthropological Film Festival 2010

Wednesday, June 23rd, 2010

Budapest. June 23-28, 2010

Festival sites in Budapest:
Vörösmarty Cinema, DocuArt, Architects’ Court (Építészpince), Örökmozgó  Film Museum (cinema), Czech Centrum

Further festival sites: Cluj-Napoca/Kolozsvár (RO) – Tranzit House

In 2010, 43 documentaries from 15 nations line up to compete for the Golden Deer Award! This year’s retrospective programme commemorates the life and works of Pál Zolnay. During the festival we will once again organise the popular Docu-critic workshop. The myDEER Workshop, a documentary film development workshop and pitching forum, will be held in Hungary for the first time during the festival!

Categories:
- Human Stories (European documentary),
- Deep Description (European anthropological film),
- Student-work (European student film).

More info: www.dialektusfesztival.hu