Posts Tagged ‘Europe’

Euro Connection at the Clermont-Ferrand International Short Film Festival

Wednesday, January 25th, 2012

European Short Film Co-production Forum.
31 January – 1 February 2012

This new initiative in favour of short film co-production is a must-attend event for European producers, commissioning editors and financial partners. Some twenty exciting new projects with a European creative and audience potential will be presented.

Euro Connection is the marketplace for short film co-production in Europe. This event is open to active European producers, TV commissioners, fund representatives, and distributors. Entrance is free to Short Film Market accreditation holders. Prior registration is necessary. Seats are limited and access will depend on availability. Early booking is strongly advised. A simultaneous translation will be provided in English and in French.

This year, 17 European projects have been selected to Euro Connection. The Book of Projects and Producers will be available for download a few days before the event.

Presented by the Clermont-Ferrand Short Film Market, in association with the MEDIA Desk France and the Centre national du cinéma et de l’image animée, Euro Connection receives support from the MEDIA programme, Audi talents awards and the PROCIREP.

More info: http://www.clermont-filmfest.com/index.php?m=46&m=174

Engange 2012: seeking dynamic new European filmmakers

Monday, January 16th, 2012

Opening doors to international collaboration for producers, screenwriters & writers/directors.

Engage 2012 is a training programme for new and emerging writers, writer/directors and producers, producers, designed to foster international creative collaborations.

Engage 2011 brought together 24 participants from several European countries to develop new fiction, documentary and animation feature projects. Engage 2011, with support from MEDIA Mundus, extended its reach beyond Europe and welcomed 5 additional participants from Canada and China, opening the doors for better understanding of international co-production.

Deadline: 23 jan 2012

How to Apply

A description of the ENGAGE 2012 programme is available here.

If you are a final year student or recent graduate of the ENGAGE partner institutions please apply here.

If you are a final year student or recent graduate of any other university level film course in a European country please apply here.

Please email ENGAGE project coordinator Ciara Barry if you have any questions about the application process here.

Eligibility

Applicants must be currently studying in their last year of, or have recently graduated from, a university-level film course in a European country.

Applications from recent accession countries (Bulgaria, Czech Republic, Estonia, Hungary, Latvia, Lithuania, Poland, Romania, Slovakia and Slovenia) are particularly welcome.

Submitted projects should be feature-length fiction, documentary or animation films or television dramas and must include a European or international dimension.

More info: www.engage.eu.com

Call for applications: Torino Film Lab – Interchange

Friday, December 9th, 2011

Interchange is a programme for teams of writer/director and producer from Europe or the Arab world working at a fiction feature film and film professionals interested in script editing training. The programme is also open to 3 trainee script consultants from the Arab world.

The Interchange 2012 call for applications is open, apply now!

Deadline for applications: March 4th, 2012.

The aim is to build cooperation between film professionals from Europe and the Arab countries (Algeria, Bahrain, Comoros, Djibouti, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, Somalia, Sudan, Syria, Tunisia, United Arab Emirates, and Yemen), selecting 12 teams of writer/director + producer and 3 Arab trainee script consultants, and bringing them together for 2 residential 5-day workshops, one in Torino at the end of May/beginning of June and one in Dubai in December.

The training is designed to match the needs of experienced professionals who want to develop their skills through concrete work on their projects – under the expert guidance of international tutors – and who are ready to share their ideas with colleagues and engage themselves in discussions in order to improve and increase their knowledge. The trainee script consultants will be trained as story editors working each on 4 of the 12 selected projects.

Interchange is run by TorinoFilmLab, the Dubai International Film Festival and EAVE and it is supported by MEDIA Mundus.

Who can apply?

Teams of writer/director and producer applying with a fiction feature film project: writers and producers must come from Europe or one of the listed Arab countries: Algeria, Bahrain, Comoros, Djibouti, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, Somalia, Sudan, Syria, Tunisia, United Arab Emirates, and Yemen.

The producer applicants should have a demonstrable track record of producing in their own country and perhaps internationally. This could include the production of feature films, documentaries, music videos, advertising.

European applicants must be able to demonstrate a clear relationship to or involvement with the countries indicated above and proposed projects should come from or be related to them.

Arab film professionals interested in story editing training: film professionals applying as story editors trainee must come from one of the above listed Arab countries, and have a good knowledge of Arabic.

The working language of all Interchange workshops and events is English; thus, a good knowledge of English is essential in order to participate.

How to apply?

Teams of writers/director and producer applying with a project need to send:
-application form A
-full Curriculum Vitae (all applicants)
-synopsis (1 page maximum/only for writers)
-treatment (10 page maximum/only for writers)
-letter of motivation for doing Interchange (1 page maximum/all applicants). For European projects, the producer should also explain in which way the project is related to the Arab countries which are part of the Interchange Programme.
-development/production timetable (for producers)
-detailed budget, incl. development budget (for producers)
-financing plan (Euro currency): please include detailed info about the funds in the country of origin, region of interest and their relevant deadline, and mark any funds already obtained (for producers)
-one previous short film or extract of previous materials, (not mandatory/only for writer-directors): the video must be uploaded by following the link: http://tfl.museotv.com and signing up. Only 1 video per applicant; showreels will not be accepted;

Film professionals applying as trainee script consultants need to send:
-application form B
-full Curriculum Vitae
-letter of motivation for doing Interchange (1 page maximum)

All applications have to be sent to interchange@torinofilmlab.it in English and PDF format.

Only entries with complete form and materials, in English and PDF format, will be accepted.

Participation cost
There is no entry fee.

TorinoFilmLab covers participants’ accommodation expenses (hotel and meals) during the workshops.

All the travel expenses during the programme have to be covered by the participants but will be reimbursed up to 1.000 Euro per team of writer and producer, up to 500 euro per trainee script consultant. The reimbursement concerns only the travel to/from the city, and not the local transportation in the city such as taxi, car rental or parking. In order to receive the refund the participants need to send all the original travel tickets to TorinoFilmLab office no later than December 20th, otherwise the reimbursement can not be guaranteed.

Workshops & on-line sessions

Participants’ activities take place across 6 months as follows:

May / June:  1st four-day residential workshop in Torino with tutors: development and pitching workshop with group sessions, lectures and case-studies

August – September: 1st online/Skype/e-mail development session with tutors: assessment, consulting, task-setting

October – November: 2nd online/Skype/e-mail development session with tutors: assessment, consulting, task-setting for writers/ directors/ producers

December:  2nd five-day residential workshop in Dubai: final script assessment, project advice, pitching training, producers’ coaching, case studies;
Pitching event and one-to-one meetings at Dubai Film Connection with film industry professionals from EU and Arab regions.

More details on Interchange events.

The training of writers/ filmmakers/ producers/story editors trainees will be carried out simultaneously in both workshops and the curriculum will be designed around two central concerns: project development and co-production strategies.

Participants will continue working online between the 2 workshops and will receive feedback on project development through a schedule of Skype/email consultations.

A head producer will supervise all 12 teams. Each team’s project will also be analysed in depth with supervision and guidance by 3 professional tutors working in smaller groups.

EFA Short Film Selection 2011 completed

Tuesday, September 27th, 2011

As announced at the International Short Film Festival in Drama (Greece), the Italian fiction short THE WHOLLY FAMILY by Terry Gilliam has been selected by the jury for a nomination for the 24th European Film Awards. The annual cycle is completed with this fifteenth short film nominated for European Film Academy Short Film 2011, an award presented in co-operation with a network of festivals across Europe.

The nominees for 2011 are

THE WHOLLY FAMILY
by Terry Gilliam
Italy 2011, 20 min., fiction
In the Drama nominee, an American couple is on a holiday in Naples with their son Jake. During a tour of the city, the couple is constantly arguing because of the caprices of the child and does not realize having lost their son. Jake stopped at a stall, attracted by the carved shapes of Pulcinella… holy images, cribs, horns… strange characters who will accompany Jake on a dreamlike journey between reality and imagination throughout the most hidden places and symbols of Naples.

HYPERCRISIS
by Josef Dabernig
Austria 2011, 17 min., fiction
The Venice nominee shows in meditative and mysterious ways the crisis of a poet. The location is a former Soviet artist’s home. For the jury, the filmmaker “presents a clever, concise examination of creative block and cultural entropy”.

TSE
(Out)
by Roee Rosen
Isreal 2011, 35 min., fiction
The Sarajevo nominee’s central scene depicts a domination/submission thrashing, set in a mundane living room. But in this session, the painful blows meted out by the Dom cause the sub to spew out sentences, all of which are quotes from Israel’s Minister of Foreign Affairs, Avigdor Lieberman, renowned as one of the most extreme right-wing politicians in the country.

DIMANCHES
(Sundays)
by Valéry Rosier
Belgium 2011, 16 min., fiction
The Vila do Conde nominee reflects on Sundays or how Mankind faces the passage of time. That free time we are trying to fill at all costs. That same time we look at passing by, with laughter or boredom. It’s the second nomination for Valéry Rosier after 2009 for his short film BONNE NUIT.

The Wholly Family by Terry Gilliam

LA GRAN CARRERA

(The Great Race)
by Kote Camacho
Spain 2010, 7 min., fiction
The Grimstad nominee documents the Lasarte horse race of 1914 with its never-before-seen prize for the winning horse. Eight of the best horses and mares in the world have registered. Fans and gamblers from all continents gather to participate in the great event. „The Great Race“ is made up of only one minute of found footage.

PAPARAZZI
by Piotr Bernaś
Poland 2010, 33 min., documentary
The Cracow nominee follows the work of a Polish paparazzo who, just like his Western colleagues, follows the rich and the famous, hunting for sensation. But unlike those in Los Angeles, Polish celebrities lead boring lives. That is why the paparazzo, tempted by big money, decides to play for really high stakes.

APELE TAC
(Silent River)
by Anca Miruna Lăzărescu
Germany/Romania 2011, 30 min., fiction
In the Tampere short film nominee, a man and a woman try to flee Romania. Both need each other, yet there is mutual distrust. One night Gregor finds his doubts confirmed. In the end only hope is left.

ÅTERFÖDELSEN
(The Unliving)
by Hugo Lilja
Sweden 2010, 28 min., fiction
The short film nominee selected at the Berlin Int’l Film Festival is set in a society 30 years after a zombie outbreak when people have got used to living alongside them. Zombies are a cheap source of labour. Zombie-hunter like Katrin and Mark are catching and taming them. Their relationship is already on the verge of falling apart, when Mark brings someone home.

Silent River by Anca Miruna Lăzărescu

I LUPI

(The Wolves)
by Alberto de Michele
Italy/the Netherlands 2010, 17 min., documentary
Selected at the Int’l Film Festival Rotterdam, this documentary short tells the story of a group of 40-to 70-year old thieves from the north of Italy called ‘I Lupi’, the Wolves. The only time they steal is when it`s very foggy. The fog makes everything invisible including them. They rob houses, banks, jewelers, trucks – everything they can profit from. “I Lupi” was made in collaboration with the Wolves.

JESSI
by Mariejosephin Schneider
Germany 2010, 31 min., fiction
In the Angers short film nominee, eleven-year-old Jessi lives with a foster family, her mother is in prison. Her longing for identity takes her back to the village she grew up in. Here she discovers that her search will have to continue beyond the confines of her old life.

DERBY
by Paul Negoescu
Romania 2010, 15 min, fiction
In the Bristol short film nominee is the story of a man who, before dinner, believes he hears his teenage daughter having sex. At dinner, the family gathers around the kitchen table with the girl’s boyfriend present. The father provokes a conversation, which leads the father and the boy to find out that they are fans of the two rival soccer teams of Bucharest.

HÄNDELSE VID BANK
(Incident by a Bank)
by Ruben Östlund
Sweden 2010, 12 min, fiction
This fiction short, nominated at the Cork Film Festival, is a detailed and humorous reconstruction of a failed bank robbery witnessed in June 2006. A realtime study with over 96 people choreographed for the camera.

Little Children, Big Words by Lisa James-Larsson

SMÅ BARN, STORA ORD
(Little Children, Big Words)
by Lisa James-Larsson
Sweden 2010, 12 min, fiction
In the Valladolid short film nominee, an uncomfortable discussion begins when it’s Alex’s turn to tell his seven year old class mates what he wants to be when he grows up. The teacher’s explanation reveals her own story – a story of victim and offender.

BERIK
by Daniel Joseph Borgman
Denmark 2010, 16 min, fiction
The Ghent short film nominee is a short drama about friendship and understanding that takes place in Semey, Kazakhstan. Berik, 33, blind and deformed due to radiation poisoning, spends his days at home alone, while his brother is at work. That is until Adil, 11, the smallest and least popular of the kids in the apartment block, turns up on Berik’s doorstep looking for the local bully’s football, which he has lost.

The nominees will now be presented to the over 2,500 members of the European Film Academy and it is they who will elect the overall winner: the European Film Academy Short Film 2011 which will be presented at the 24th European Film Awards Ceremony on 3 December in Berlin.

How To Make it With A Short Film In Europe

Wednesday, July 27th, 2011

by Elliot Grove

Using a short film, or a series of short films has always been considered a viable and useful way to demonstrate one talent to the industry powers-that-be on route to building a career in features, or in commercials and pop promos. Here are the routes novice filmmakers are using in Europe. Many of these techniques are applicable universally.

1. Film Festivals
A festival screening allows you to screen your film in front of total strangers. Until you have sat in a screening room full of strangers watching your film you do not really know how the film “plays”. Do they laugh at the right place for example.

Getting your film accepted into a film festival is not easy. If you are selected, you then need to send the festival a screening copy of the film, usually on digibeta or DCP along with a picture of yourself, or a still from the movie that they can use in their festival catalogue. Try and book your holiday around a festival screening. Get there a few days earlier and pass out postcards with a good strong image of your film on one side, and the screening dates and times on the reverse. Festival organizers should also be able to help you with a list of local distributors and sales agents who might be interested in acquiring short films (ie: buying a license to screen your film). Contact these people by email and telephone. If you submit your film to Raindance you will get a list with the name of every international short film buyer, along with their contact details and commissioning policy.

Screenings at certain film festivals almost certainly guarantee other festival invites. Many festivals rely on bell-weather festivals such as Raindance, to act as a filter to whittle down the huge number of films to a manageable lot of a certain quality.

Remember that each festival has different taste, and to be rejected by one festival is not to be taken personally.

The best way to research film festivals is to look at these two sites: www.filmfestivals.com, an English-speaking company based in Paris, and www.withoutabox.com, an American company with a subsidiary office in London.

Top European film festivals for shorts:
There are at least 9 European short film festivals which show shorts only. Other festivals, such as Raindance, have dynamic short film strands. Research the festivals and try to ascertain which ones have videotechs, such as Rotterdam. At those festivals, even if you are not selected, industry scouts will be able to see your film.

2. Internet Self Distribution
The explosion of YouTube and MySpace means that you don’t need to rely on the whims of a festival programmer (the job title of the person at a film festival who decides which submissions are selected for screening). You can simply upload your masterpiece yourself to one of the www2 sites (for example to Daazo.com), send an email to everyone in your address book with the link and hope that enough people watch and love your movie and tell so many friends that your film becomes a viral hit leading to your discovery as the next Spielberg.

3. Internet Distribution
Sites like Atom Films, iTunes and the Australian channel NICEFILM specialize in shorts and offer different forms of revenue recoupment: either in the form of a one-off license fee, or a revenue participation model based on the number of people who see your film (and see the ads on their site. Each of these sites have different adjudication processes.

4. Competitions
There are currently so many film competitions that a reasonably talented debutante filmmaker should be able to get the latest cameras, editing software, and even first class trips around the world on the strength of their successful submissions. Before submitting to a competition, it is important to research the organization or company sponsoring the venture to see if you can determine the reason why. Sometimes they are created solely to promote a product or service. In such cases the benefit to you as a filmmaker, is solely the value of the prize. The best competitions are the ones where the promoter is seeking content for their website, or broadcast channel: be it web-based, television or mobile. In these cases, usually by submitting you will be included as part of their content and the possibility will exist to earn extra revenue or exposure. It is up to you to decide which will suit your career best.

5. Airlines
Cathay Pacific and Virgin are the only remaining airlines who license shorts for their in-flight entertainment. Filmmakers typically receive $500 for a six month short. The best length for these shorts is about 10-15 minutes each, and soft romantic comedies are the topics the airlines like the most. The best agent to deal with is Dazzle Films in London. Owned and operated by Dawn Sharpless, it has been acquiring and selling shorts since the late 1990’s.

6. Advertising Agencies

Ad agencies are always on the lookout for hot new talent. If your work is very short (under one or two minutes) then ad agencies might consider you for a commercial. Make sure you invite the relevant executives from ad agencies in the cities that you play in. Obviously, London, Paris and New York have the most agencies, but don’t discount agencies in smaller cities.
Some agencies, like Saatchi & Saatchi have in-house intranet sites (theirs is called Sushi & Sushi) where new work is put up for the exclusive use of their employees. The career advantages of this are obvious.

7. Compilation DVDs
Certain festivals like Raindance, organizations like Shootingpeople and others publish annual collections of DVDs which showcase shorts. As part of their marketing campaign, these DVDs are generally given to journalists, ad agency creatives and agents as a way of inducing filmmakers to allow their shorts to be placed on the DVD. From this platform, Raindance has noticed that the filmmakers included on our DVD receive many festival invites and offers of work.

Should I put all my films on YouTube, or not?
YouTube is a great way to get your showreel up, but it ruins the premiere status of your films for festivals, other web distributors and television. Be very careful about what you include and when you include it on YouTube.

What is the most common reason filmmakers fail to sell their films?
Either they fail to tell a story, or they fail to clear music rights. Or both.

Does it matter what I shoot my film on?
Absolutely not. The story you’re telling is far more important. Just make sure you are able to deliver your film in the correct format and resolution required by whichever festival or broadcaster you are targeting.

What happens if I sign an exclusive agreement?

It means that you are unable to give your work to anyone else, sometimes even other film festivals. Consider the repercussions carefully before you agree to such a deal. Sometimes the commercial benefits will sway you, and other times it will be the exposure.

Participate in the third edition of FILMINI

Monday, July 6th, 2009

The third edition of FILMINI International Short Film Festival will take place in October 13-18, 2009 in Sofia, Bulgaria.

Filmini is committed to showcasing international short films. The Festival’s primary goal is to present young cinema of the world and independent films, and to become a platform for short filmmakers.

A special focus of the festival is films coming from the Balkans.

The term for film submissions for the festival programs is now OPEN!

AWARDS HIGHLIGHTS:
-       The grand prix prize € 1,200
-       Best animation film award € 500
-       Best Balkan film award € 1,000
-       Kodak award for Best film from the national competition
-       Audience award

DEADLINE for submissions: July 31, 2009

Regulations and entry form can be downloaded from www.filmini.org
For any further information, please don’t hesitate to contact us at submit@filmini.org
We’ll be looking for your films!

Etiuda & Anima Festival’s call for Animation

Thursday, June 11th, 2009

logo_poziom1Etiuda & Anima Festival will have a competition of animation,equally professional, independent as well as the student’s one.

For this year’s edition of the competition there will be chosen the films made in 2007- 2009 and they shall not exceed 30 minutes of duration.

The films will compete for the following Prizes -Grand Prix — Golden Jabberwocky, Silver Jabberwocky, Bronze Jabberwocky; the students’ films will also compete for a Special Golden Jabberwocky for the Best Animated Student Etude of the Festival.

As the organizers we also hope to have a support of sponsors what might also give an opportunity to hand in the financial award (last year we have 2,000 Euro)

Filled in forms and the DVD will be collected until of 30th
July 2008.

We would be glad if your newest film was sent to the preselection. We will finally inform you about a decision of accepting the film to the competition in the second half of September 2008.

The registration form and rules of entry are at: www.etiudaandanima.com

Winners of the 49th Krakow Film Festival

Friday, June 5th, 2009

Having watched all the competitive films The International Competition Jury of the 49th Krakow Film Festival consisting of: Zbigniew Rybczyński – chairman (Poland), Christoffer Olofsson (Sweden), Eduardo Chapero-Jackson (Spain), Chris Tidman (United Kingdom), Leo Kantor (Sweden) has decided to award the following prizes :
The Golden Dragon to the film “Pizza in Auschwitz” /“Pizza be Auschwitz” directed by Moshe Zimerman (Israel) for a complex and thought provoking portrayal of a family journey into one man’s personal tragedy and historical survival.

The Silver Dragon for the Director of the Best Documentary Film to the film “Poste Restante” directed by Marcel Łoziński (Poland)

The Silver Dragon for the Director of the Best Animated Film to the film “Ten” /“Dix” directed by BIF (Fabrice le Nezet, Francois Roisin, Jules Janaud), France

The Silver Dragon for the Director of the Best Fiction Film to the film “Leaving” directed by Richard Penfold, Samuel Hearn (United Kingdom)

The EFA Nomination Krakow 2009  – a nomination for the European Film Award in the short film category to the film “Poste Restante” directed by Marcel Łoziński (Poland)

The Special Mention to the films:

“Wagah”, directed by Supriyo Sen (Germany)

“Hugo Rey y su Doncella” (“Hugo King and his Damsel”), directed by Franco do Peña (Poland/Venezuela)

“Shesh Vahesti Dakot Betel Aviv”/ “Six and Half Minutes in Tel Aviv” directed by Mirey Brantz (Israel),

The FIPRESCI (International Film Critics) Jury at 49th Krakow Film Festival consisting of: Vladimir Ignatovski (Bulgaria), Saskia Legein (The Netherlands), Tadeusz Szczepański (Poland) decided to award the film “Poste restante” directed by Marcel Łoziński (Poland).

Having watched all the competitive films the FICC (International Federation of Film Discussion Clubs) Jury at 49th Krakow Film Festival consisting of: Marta Chwałek (Poland), Carl Henrik Eilertsen (Norway) i Andrea Pócsik (Hungary) has decided to grant the Don Quichote Award to the film “Goleshovo” directed by Ilian Metev (Bulgaria/United Kingdom). The director’s easy approach on this seemingly simple subject gives the audience the opportunity to get involved in the efforts of a disappearing community, sharing with the viewers their irony, strength and life wisdom in a deliberating way.

Special mention goes to the short fiction film titled “Leaving”, directed by Richard Penfold and Sam Hearn (United Kingdom).

The Student Jury consisting of: Grzegorz Lis, Michał Gulik, Anna Fac-Biedziuk has decided to award ex equo the films: „My amulet” directed by Leah Thorn (United Kingdom ) for a brave, fresh and  artistic interference into political correctness and “Skhizein” directed by Jérémy Clapin (France) for a subtle and brilliant study of a misfit.

Short Films in Cannes

Monday, May 11th, 2009

cannescompetitionlogLet’s  take a look of this year’s short film competition of Cannes International Film Festival.  We think it is very useful to have an overview of the selected films. And even if we can not watch them right now, to read their synopsis’ might give us an idea of what kind of short film topics are appreciated in the A-category film industry. So here are the short films in competition.

Mark ALBISTON, Louis SUTHERLAND – THE SIX DOLLAR FIFTY MAN-15′ New Zealand
Set in a 1970s coastal town, The Six Dollar Fifty Man follows Andy, a gutsy 8 year-old boy who is forced to break out of his make-believe superhero world to deal with playground bullies.

Daniel BORGMAN – LARSOG PETER-15′ Denmark
Lars (9) is naïve and innocent, all he wants is for his father to be happy and his family to be together. Lars’ mother is gone and life has been empty and dysfunctional without her.

On the eve of his birthday, Lars’ dad, Peter, gets himself drunk and after an embarrassing argument with the next-door neighbour, Alma, ends up masturbating in the backyard. Lars sees everything.

Alex BRENDEMÜHL – RUMBO A PEOR-12′ Spain
Two men, dressed in football-tricot, wander through nature. As they go astray, they meet a woman on the road. Overwhelmed by her beauty, they perist in her joining them.

The beginning of something or nothing, perhaps. Few words, not much else.

Jochem DE VRIES – MISSEN -12′ The Netherlands
A 7-year old girl is taken to school by her mother. Today is the day that the young girl will go on a school trip with her class. In everything we feel that bringing her daughter to school isn’t a very ordinary occasion for the mother.

Jean-Christophe LIE – L’HOMME A LA GORDINI-10′ France
End of the 70’s, an imaginary suburb, the custom is to wear neither underwear nor trousers, only orange tops. With the help of a masked rebel driving a blue R8 Gordini, Mister R and his wife plot a radical clothing revolution and the assault of monochromic orange totalitarianism.

Goran ODVORCIC – CIAO MAMA-10′ Croatia
A single Mother is leaving her young Daughter to go on a trip with her new lover. The Daughter overcomes the fear of abandonment and in the state of bewilderment does whatever is necessary to provoke her Mother; make her acute to their needs and re-question their roles and relationship. The Daughter lightly resorts to the threats of suicide, asks her father to move in with him – saying anything that will arouse her mother.

Laila PAKALNINA – KLUSUMS-14′ Latvia
Unfortunatly we could not find a synopsis for this film.

João SALAVIZA – ARENA-15′ Portugal
Mauro is under house arrest. Tattooing helps him while away the time.
Three local kids taunt him through his window. Outside, the midday sun beats down.

Emma SULLIVAN – AFTER TOMORROW-15’United Kingdom
Returning to the village of his estranged wife, James grows increasingly concerned when the sinister owner of the guest house refuses to let him leave. A psychological suspense with a surprising yet moving denouement.

via www.festival-cannes.com

7th European Script Contest for Short Film Scripts

Tuesday, May 6th, 2008

Organised from the 15th of April to the 31st of July, the NISI MASA contest takes place simultaneously in all its member countries in Europe .

For this 7th edition, the new theme is: Escape.

The contest is open to every youngster from 18 to 28, living in one of the organising countries. Each participant must write a short-film script of 20,000 characters maximum on the assigned theme, in one of the official languages of the contest.

In January~February 2009 the three new awarded scriptwriters plus 12 of the European finalists, will be invited by NISI MASA to take part in «European Short Pitch», a scriptwriting workshop organised at the Moulin d’Andé~Céci in France, followed by pitching sessions in front of European producers.
Then, the 3 European winners will be supported by NISI MASA in the production and distribution of their films.
From the script to the screen, NISI MASA is keen on contributing to the development and circulation of innovative short films from all over Europe.

All information about the contest can be found here:

http://www.nisimasa-scriptcontest.eu/

Application Deadline:
31. July 2008