Posts Tagged ‘european’

EFM Film entry

Monday, November 7th, 2011

The European Film Market (EFM) runs for nine days as part of the Berlinale, one of the most important film festivals in the world.  As the first major film event of the year, it is a magnet for international industry professionals, and is seen as a barometer for the upcoming year in film.

The EFM is the business centre of the festival. Each year, producers, distributors, buyers and sales agents converge at the EFM where both commercial art-house and specialized mainstream are given star billing.

The goal of the EFM  is to provide producers and buyers with a marketplace where they can discover the best quality products in the film business.

EFM continues to promote discovery, facilitate collaborations and provide platforms for productions in development.

The EFM gives priority to feature length theatrical films. Programmes of short and medium-length films are only presented on the first two and last two days of the EFM and will be shown in video format.

Deadline for submitting a film for a screening at the EFM is December 22, 2011. After this date the inclusion of a film in the official EFM Catalogue cannot be guaranteed.

For more information (dates, entry criteria, prices etc.) visit:  http://www.efm-berlinale.de/en/films/film-entry/film_regulations/film_regulations.php

Twelve European Companies Nominated for Cartoon Tributes 2011

Tuesday, September 6th, 2011

Twelve animation companies from 7 countries among the finalists for Broadcaster, Investor/Distributor and Producer of the Year

The Cartoon Tributes 2011 will be awarded in Sopot, Poland on 16th Sept.

The European animation industry is set to honour outstanding contributors to the sector at the sixth edition of Cartoon Tributes, the annual awards organised by CARTOON – European Association of Animation Film. Some 700 professionals from across Europe will select the companies that have supported the industry’s growth over the past year. Companies from France, Ireland, Britain, Germany, Luxembourg, Switzerland and The Netherlands are among this year’s nominees, underscoring the growing interest in animation from countries across the continent.

Turner Broadcasting’s preschool channel Cartoonito, France’s M6 Kid, Ireland’s pubcaster Radio Telefís Éireann (RTÉ) and French speaking Swiss broadcaster Télévision Suisse Romande (TSR) have been nominated for Broadcaster of the Year for giving animation a top spot in their programming schedule.

The nominees for Investor/Distributor of the Year are awol animation from France, Beta Film from Germany, KidsPlant Distribution from The Netherlands and Zodiak Kids from Britain.

Meanwhile, Planet Nemo Animation and Tele Images Productions from France, LuxAnimation from Luxembourg and Monster Animation from Ireland will compete for Producer of the Year after creating some of European animation’s most recent hits.

The winners will be announced at the next edition of Cartoon Forum, to be held from 13-16 September in the Polish city of Sopot, where the nominated companies will also have an active presence. In this new edition the European forum for co-productions of animated series will showcase 66 new projects with a global investment of 214.5 million EUR and 467 hours of production.

Cartoon Tributes 2011 nominees are:

Broadcaster of the Year
- Cartoonito (TBS) (UK / France)
- M6 Kid (France)
- Radio Telefís Éireann (RTÉ) (Ireland)
- Télévision Suisse Romande (TSR) (Switzerland)

Investor/Distributor of the Year
- awol animation (France)
- Beta Film (Germany)
- KidsPlant Distribution (The Netherlands)
- Zodiak Kids (UK)

Producer of the Year
- LuxAnimation (Luxembourg)
- Monster Animation (Ireland)
- Planet Nemo Animation (France)
- Tele Images Productions (France)

Cartoon Forum Organisation
Annick Maes – annick.maes@cartoon-media.eu – Tel: (32) (2) 242 93 43

International Press
Gerardo Michelin – gerardo@latindie.com – Tel: (34) 630 57 22 68

List of the selected projects.

About CARTOON FORUM
Created in 1990 to boost the co-production and distribution of European animation for television and new media platforms, Cartoon Forum has helped 470 animation series obtain financing to the tune of over 1.6 billion EUR. For three days each year, European producers have the opportunity to pitch their animation project in front of all decision-makers, buyers and investors in order to speed up financing and find cross-border partners.

Cartoon Forum Polska is organised by CARTOON with the support of MEDIA – a Programme of the European Union, the Ministry of Culture and National Heritage of the Republic of Poland, the Polish Film Institute (PISF) and the City of Sopot, in collaboration with Studio Miniatur Filmowych (SMF). Cartoon Forum Polska is one of the events under the patronage of the Polish Presidency of the EU Council.

About CARTOON
CARTOON is an international non-profit association based in Brussels that organises Cartoon Forum, together with Cartoon Movie, a co-production forum for feature-length animation, Cartoon Master training seminars and Cartoon Connection, a new programme intended to explore ways of reinforcing cooperation between EU and non EU animation professionals.

Be Part of the Professional Short Film Industry!

Monday, March 7th, 2011

Register Your Film at the Short Film Corner of Cannes Film Festival!

We, here at Daazo.com find it really important to showcase your films and give you an opportunity to become part of the European filmic community. That’s why we also support the goals of the Short Film Corner section of the Cannes International Film Festival. We take part in the section as media partners and spend a couple of days at the heart of the short film world.

Here are the reasons why it can be beneficial for you. The Short Film Corner is basically a market place where filmmakers and buyers meet and you have the chance to present your film in a dedicated space. Being there helps you to develop your network, to enhance your promotion and to discover new talents. Your film could be watched by the whole industry professionals present at the Cannes Film Festival. By being presented at the Short Film Corner, you will be able to network with all the biggest industry players: institutions, financiers and the most important international reps in the films business. Your participation will get you to benefit from a tool that is specifically designed to build bridges between the worlds of short and feature films.

By registering with the Short Film Corner your film can be viewed in the Digital Film Library throughout the Festival with an easy access to all Festival-goers. It is also possible to organise private viewing to programmers and buyers even after the event. You get accreditation to the Cannes Film Festiva and are invited to many activities (workshops, conferences, meetings) Your film is referenced at www.shortfilmcorner.com and in the Festival Catalogue as well. You are also given access to www.cinando.com (the leading database of the film industry). Finally you may be eligible for one of the subventions given out by organizations supporting short films.
We hope that it sounds fancy enough to give it a try and get a chance to change your life!

The next edition of the Short Film Corner will take place form May 11th to May 21st 2011. The registration is open now until the 10th April.

You can find more information and the registration details on the official website: http://www.shortfilmcorner.com/uk/home.html

EuShorts 2010 – Get the dose just right

Thursday, December 2nd, 2010

Short, colourful, consuming them takes little time, but their effects remain longer. Taking in a handful could result in more varied experiences.

This is the cure prescribed by the EUShorts Short Film Festival which, similarly to the previous four years, selects and portions the best of Europe. The cocktail this year is complemented again by special ingredients, we envision emotional rollercoasters, inviting cinephiles to distinct emotional journeys in loose thematic blocks, to make us cry, laugh, stare questioning, have our mouth quiver with excitment or arch into a smile. Europe is in constantly changing, often cynical mood, sometimes it is bursting with happiness, sometimes it’s gloomy, but the only reason for mourning is that even the best pieces end in a short period of time.

Possible side effects: general oversensitivity, increased glee, pathological laughing fit following the feeling of outrage, occasional melancholy, replaced by strange, sizzling euphoria. Effects can appear simultaneously or with short differences in time. If side effect become more serious or new symptoms appear, please consult your festival organiser.

Recommended daily dosage: a total of 41 films, with 2-3 selections a day between December 2 and 5. If you are unsure about the dose, ask your cinema clerk or festival organiser. Treatment is available in Toldi mozi. Come.

Program:

- Angry Man – Sinna Mann (Norway) Anita Killi  / 2009 / 20’
- One Minute fly (Germany) Michael Reichert / 2009 / 4’
- My life as a trailer – Mitt Liv som Trailer (Sweden) Andreas Öhman / 2009 /  15’
- Logorama (France) Francois Alaux, Hervé de Crécy, Ludovic Houplain /  2009 / 16’
- A gentle push – Een kleine duw (Belgium) Philippe Verkinderen / 2009 / 16’
- Antje and me – Antje un wir (Germany) Félix Steinz / 2007 / 12’
- Betty and the The’s (Germany) Félix Steinz / 2009 / 13’
- Washdays (United Kingdom) Simon Neal / 2009 / 10’
- Naked Pact – Paktum (Hungary) Orsolya Nagypál / 2010 / 18’
- Ella (Norway) Hanne Larsen / 2009 / 24’
- Stained (United Kingdom) Lewis Arnold / 2010 / 15’
- Beast (Denmark) Lars Pedersen Arendt/ 2009 / 15’
- Annie from France – Annie de Francia (France) Christophe Le Masne / 2009 / 32’
- A little dragon – Le petit dragon (France) Bruno Collet / 2009 / 9’
- Juicy turkey – La dinde marinée (France) Benoit Ameil / 2008 / 13’
- Three hours  – Tre Ore (Italy) Annarita Zambrano / 2010 / 12’
- Emozioniere (Switzerland) Andreas Pfiffner, Simon Baumann / 2009 / 14’
- Granny O‘Grimm’s Sleeping Beauty (Ireland) Nicky Phelan / 2008 / 6’
- Lars and Peter – Lars og Peter (Denmark) Daniel Borgman / 2009 / 15’
- The boy who wanted to be a lion (United Kingdom) Alois di Leo / 2010 / 9’
- HIV – The Musical (United Kingdom) Joseph Patrick, Tim Woodall / 2009 / 11’
- Blue Sofa (Italy) Giuseppe Baresi, Pippo Delbono, Lara Fremder / 2009 / 20’
- Somebody’s Something – Valakinek a valamije (Hungary) Gábor Reisz / 2009 / 20’
- Legacy – Perintö (Finland) Teemu Nikki / 2008 / 5’
- Instead of Abracadabra – Installet för abrakadabra (Sweden) Patrik Eklund / 2008 / 22’
- Seeds of Fall – Slitage (Sweden) Patrik Eklund / 2009 / 18’
- Old Fangs (Ireland) Adrien Merigeau, Alan Holly / 2009 / 12’
- To Breathe In (Hungary) Márk Bodzsár / 2009 / 25’
- Newbie – Nowa (Poland) Tomek Olejarczyk / 2009 / 19’
- Millhaven (Poland) Bartek Kulas / 2010 / 7’
- It’s Free for Girls – C’est gratuit pour les filles (France) Marie Amachoukeli-Barsacq, Claire Burger / 2009 / 23’
- Miramare (Croatia / Switzerland) Michaela Muller / 2010 / 8’
- John and Karen (United Kingdom) Matthew Walker / 2009 / 3‘
- Skhizein (France) Jérémy Clapin / 2009 / 14‘
- Manon on the asphalt – Manon sur le bitume (France) Élizabeth Marre, Olivier Pont / 2009 / 14‘
- Shadow of a doubt – Skyggen af tvivl (Denmark) Esben Tonnesen / 2009 / 19‘
- Mate – Kaveri (Finland) Teemu Nikki / 2009 / 7‘
- Boy meets girl (Denmark) Soren Frellesen / 2009 / 16’
- Full employment – Arbeit für Alle (Germany) Thomas Oberlies, Matthias Vogel / 2009 / 14’
- Soft (Ireland) Simon Ellis / 2009 / 15’

More info: http://eushorts.eu/en/

Parliament’s 2010 LUX Cinema Prize goes to “Die Fremde”

Thursday, November 25th, 2010

In a special ceremony on Wednesday Parliament awarded this year’s LUX Cinema Prize to “Die Fremde”, by Feo Aladağ (Germany), which highlights the problem of “honour killings” by depicting the drama of a Turkish family living in Germany.

Parliament’s President Jerzy Buzek awarded this year’s LUX Cinema Prize to “Die Fremde” director Feo Aladağ, the first woman ever to compete for the prize. The film’s lead actress Sibel Kekilli was also at the ceremony, as were representatives of the two other finalists shortlisted for this year’s prize: “Akadimia Platonos” by Filippos Tsitos (Greece and Germany) and “Illégal” by Olivier Masset-Depasse (Belgium).

Awarding the prize, the EP President Jerzy Buzek said “the three films deal in a very sensitive way with the issue of identity, and the differences between a collective identity and an individual one. This is an important topic because in an ever more integrated Europe we will have to answer the question what it actually means to be European, and what our many identities – local, regional, national and European – mean in a united continent. If we want to create a true European demos, we have to be able to truly understand each other. What better way than through culture, art, music and, of course, films?”

Receiving the prize, Mrs Aladağ said “I made Die Fremde because I believe we live in a multicultural society which can no longer rest on promoting consensus but must rather find new ways in dealing with arising divergence. The LUX Prize is an essential bridge between national identities and beyond. That is why, for me, the European Parliament’s commitment to culture and education is of such great importance.”

The winner will receive European Parliament funding, worth €90,000, for subtitling the film in all official EU languages, adapting the original version for visually- or hearing-impaired people and producing a 35 mm print per EU Member State or for the DVD release.

Parliament awards the annual LUX Prize to films that illustrate or question the founding values of European identity, explore Europe’s cultural diversity or contribute insights to the EU integration debate.

Since its establishment in 2007, the LUX Prize winners have been Auf der anderen Seite by Fatih Akin (2007), Le Silence de Lorna by Jean-Pierre and Luc Dardenne (2008) and Welcome by Philippe Lioret (2009).

CALL FOR ENTRIES: ÉCU 2011

Wednesday, June 9th, 2010

The European Independent Film Festival – The European festival for independent filmmakers and their audiences – is accepting film submissions for 2011.

The Festival accepts films in ten categories:
- European: Dramatic Feature, Dramatic Short, Documentary, Animation, Experimental
- Non-European: Dramatic Feature, Dramatic Short, Documentary
- Worldwide: Student Film

ÉCU 2011 will also host its Much More Than A Script Competition!

More info:
http://www.ecufilmfestival.com/

European Short Pitch – Call for script 2010

Friday, May 28th, 2010

NISI MASA, a non-profit organisation based at 99, rue du faubourg Saint-Denis 75010 PARIS, FRANCE, organises a call for scripts in the frame of European Short Pitch‘s project with the aim to support the development of young European short films to get their work produced in the framework of a European coproduction.

From 15/05/2010, the call for script 2010 is open to any person whose nationality or country of residency, on the day he/she sends his/her candidature, is of one of the following countries: Albania, Austria, Bulgaria, Croatia, Czech republic, Estonia, Finland, France, Germany, Hungary, Italy, Kosovo, Luxembourg, Macedonia, The Netherlands, Portugal, Romania, Russia, Slovakia, Slovenia, Spain, Sweden and Turkey.

He/she must be between 18 and 28 years of age on the closing date of the call for scripts, 31/07/2010.
More info:
https://sites.google.com/site/rulescallforscript2010/european-short-pitch-call-for-script-2010

Apply to the Script&Pitch Workshops

Wednesday, January 2nd, 2008

scrippitchlogoScript&Pitch Workshops was founded in 2005 and is an advanced script-writing and development course for scriptwriters and story editors of films for both cinema and TV. It views European scriptwriting as something unique and special and therefore engage mostly European tutors, creating a healthy diversity between the individual styles of the single countries. The course lasts 10 months and it selects 20 participants from all over Europe (16 scriptwriters and 4 story editors) who will follow the whole scriptwriting process, offering education through the development of projects: From the generating of ideas and structuring of the material through a first and second draft up to a final pitch in front of invited producers and sales agents.

The tutors and organizers are experienced and well connected professionals, both in their countries and on a European level. It works from the assumption that every story needs its own individual approach, and that its form is determined by its content. Inspirational lessons from the course are shared through a yearly publication: Script&Pitch Insights, supporting our passion and aim to shed more light and dignity on the scriptwriting and story editing professions.

Course participation fee is 2.000 Euro.
This amount covers workshop training, on-line sessions, accommodation and subsistence. Participants must pay all travel costs.
For applicants from the new EU member states (Bulgaria, Cyprus, Czech Republic, Estonia, Hungary, Latvia, Lithuania, Malta, Poland, Romania, Slovakia, Slovenia) the fee is 1.500 Euro and 2 scholarships are reserved to participants coming from these states. Scholarships will be assigned by merit.

More details and informations can be read here: http://www.scriptpitchworkshops.com/