Posts Tagged ‘festival’

Raindance Festival Has Begun

Friday, September 30th, 2011

Those lucky enough to be in London over the next few days have the chance to indulge in hot new independent films, courtesy of the 19th Raindance Festival. The event kicked off on 28th September with the gala screening of Another Earth, an indie sci-fi-drama, followed by a question&answer session with first-time writer/director Mike Cahill.  The after-party commenced with a roaringly successful live performance by multi-media composers group Fall on Your Sword.

On Thursday, festival-goers were treated to a story of love, decadence and time travel (A Thousand Kisses Deep) and to The Casserole Club, a tale of housewife rivalry (first over the best casserole, then, after a few too many units of alcohol, over spouses). Friday’s screenings will be Savage, focusing on what might be called the ‘white trash’ of Sweden, and football film Montevideo, Serbia’s selection for the Oscars, telling a story of friendship, enthusiasm, persistence and love for the game.

Check out the Festival’s full listings here: www.raindance.co.uk

Also, look out for Raindance’s filmmaking and producing courses, coming up in October and November!

If you can’t be in London right now, you can still experience the Raindance vibe with watching past years’ hits on Daazo.com. Enjoy!

Austrian Film with Oscar Chance Won the Main Prize of Jameson Cinefest

Monday, September 26th, 2011

14 feature films in competition, all Hungarian premieres, 6 feature films out of competition, 9 classical movies in the PORT.hu CineClassics section, 19 short films, 10 documentaries, 15 animated movies, 3 exhibitions, 3 workshops, conferences, several professional meetings – issues of the 8th Miskolc International Film Festival which ended on 25 September. Due to the achievements of the last 8 years, Jameson CineFest has become the best film festival in Hungary.

Jameson CineFest’s main prize, named after the Miskolc born Oscar winner director-screenwriter Emeric Pressburger, was awarded to Karl Markovics’s movie Atmen (Breathing), and the award was received by Thomas Schubert, the film’s leading actor. It is Markovics’s, one of Austria’s most famous and most popular actors’ first work as a director, and it is the official Austrian Oscar nominee. Austria received the jury’s grand prix either: the film Michael arrived to Hungary straight from Cannes, and it is the first direction of Markus Schleinzer, Michael Hanekes casting director.

Emeric Pressburger Prize: Atmen

Max Zahle’s Raju proved to be the best short film and its award was offered by Daazo.com. The best documentary was Viktor Oszkár Nagy’s Két világ között (Caught Between Two Worlds). The best animated film’s award, which is wearing the name of Attila Dargay for the honouring of the animation artist with Miskolc origins, was offered by KEDD Animation Studio and it went to A Lost And Found Box of Human Sensation. FICC, the International Federation of Film Societies favoured Christian Schwochow’s Die Unsichtbare (Cracks In The Shell) and honoured this production with the Don Quijote Award. Film New Europe’s award went to Adrian Sitaru’s Best Intentions as the best (Hungarian-Romanian) coproduction, and the award was received by Emőke Vágási co-producer.

Best Short Film – Daazo.com Prize:  Raju

This year, in Miskolc International Film Festival, international ecumenical jury awarded the films for the first time, and it is a very important step in enhancing the festival’s international reputation. They also awarded Atmen, a film which due to receiving the film critics’ award, either, could bag three awards at once.

Grand Prix Spécial: Michael

The ever improving PORT.hu CineClassics film historical program series, with the patronage of legendary director István Szabó, screened a complete István Szőts retrospective. In the Miskolc Galery, an exhibition and conference commemorated the great director of the Emberek a havason (People in the Alps) which was shot 70 years ago. The audience could visit a large-scale Krzysztof Kieslowski and Tamás Major exhibition; furthermore, there was a film forum held on the transformation of film industry’s  support system, and roma workshop and a three-day cinema conference were also organized. And, of course, several concerts and parties were hosted by the festival – staying faithful to the Jameson CineFest traditions.

Selected little adventures within the programme of the Jameson Cinefest

Thursday, September 22nd, 2011

Daazo.com is the proud sponsor of the short film programme of the Jameson Cinefest

Daazo.com, the short film sharing site supported by the MEDIA Programme of the EU, is the official sponsor of the short film competition programme of the  Jameson Cinefest International Festival that will show 19 short films this year. Daazo.com offered a prize of HUF 150.000 for the best short film. The prize will be awarded at the closing ceremony of the festival.

It is no exaggeration to say that the best short films of the year will be shown in Miskolc between 17-25 September – prize-winning works of the most important film festivals will be presented in Hungary at the Jameson Cinefest.

The festival season in Berlin started with the Romanian short Silent River, telling the story of illegal border crossers – its director, Anca Miruna Lăzărescu will be there  in Miskolc in person to present her film. The Hungarian premiere of the Palme d’Or-winning  French short, Cross Training will also take place at the Cinefest. For You I Will Fight gives a glimpse into the life of female soldiers – it was awarded a Silver Leopard at Locarno, while Out of Erasers, showing the clash of erasers and scribbles with mixed methods, got an award at Annecy. Cédric Prévost’s film Hymen comes from Clermont Ferrand and tells a curious small adventure tale. The Hungarian film scene will be represented by students of the University of Theatre and Film: Gábor Reisz (On a lower level) and Dénes Nagy (Report) were both awarded at the Filmszemle, Béla Bagota’s With Clean Hands won the Sándor Simó award for the best graduation film.

Daazo.com hosts several thousand contemporary short films, many of which have  been previously featured in the competiton programme of the Jameson Cinefest. Alongside these recent films, Daazo also presents old classics that are not available elsewhere on the Internet, such as Oscar winner Ferenc Rofusz’s animations or  Palme d’Or-winning shorts.

Daazo.com is an open platform – anyone is welcome to upload their short film to Daazo, now also available for download as an app for smartphones.

On Daazo.com, film lovers are invited to watch regular film premiers, follow or take part in film competitions and find out about short film news and updates.

Raindance Announces Festival Line Up

Tuesday, September 6th, 2011

“The World through a Different Lens”

Raindance has announced the full line up of films for this year’s festival in London, 28th Sep – 9 Oct.

The programme boasts over 90 UK premieres from 36 countries, including more than 30 international premieres, cementing Raindance’s position as Europe’s leading independent film festival specialising in edgy and alternative films by first-time filmmakers.

Read the complete Press Release Here
See the A-Z of Features Here
See the Nominated Films Here
Watch our new Festival Trailer Here

The festival will open with the UK premiere of Another Earth – the critically-acclaimed breakout hit at this year’s Sundance.

The closing film is ’slacker romance’ Bonsai – the second film from cult Chilean director Christian Jimenez. Featuring pitch-perfect performances together with superb direction from one of Chile’s rising stars, this will be Bonsai’s UK premiere.

About Raindance Film Festival
Raindance Film Festival will run from 28 Sept – 9 Oct at the Apollo Cinema in London’s Piccadilly Circus, with the Opening Night premiere of Another Earth at Cineworld Haymarket on 28 Sept.

Tickets and passes to the festival will be on sale from 9th September on www.raindance.co.uk.

Raindance again!

Friday, September 2nd, 2011

It’s film festival time again.

With a selection of 94 features and feature docs as well as over 130 shorts from a grand total of 36 countries this year’s festival promises to be a mouth-watering feast of the very best of independent film from around the world. Read the festival facts here.

They launch their new festival trailer today. Have a look at the 2011 Raindance festival trailer.

They will be at tonight’s Open House along with some of their tutors and the Festival team. It’s pretty rammed, but they still have a dozen places. Email courses@raindance to get onto the guest list.

Next Saturday – the 10th September, Elliot Grove will be in Manchester with Patrick Tucker and the Saturday Film School. See you northerners there?

Finally – Raindance depends on you, our loyal readers and film lovers.
Help spread the word.
Follow us on Twitter. Like our Facebook.
Become a Festival Friend (and get your pass to the festival thrown in!)

Elliot Grove

About Fresh Film Festival

Thursday, August 25th, 2011

The 8th annual of the International Festival of First Features and Student Films will be held in Prague, Czech Republic from August 24th to 28th, 2011.

Fresh Film Fest is an international competitive film festival, which focuses on student and first feature films. In 5 days, the festival aims to provide a wide portrait of contemporary young world cinema and hosts professional non-public presentations. Up to 150 films with around titles in five competitive sections of the Official Selection are screened during the festival. Special film programs and feature film openings are accompanying the student and first films selection.

Despite its short existence, the festival is a follow-up to a more than 30-year old tradition of CILECT RIFE International Student Film Festival held in Karlovy Vary. It both keeps extensive contacts with the most prominent film schools (VGIK, FEMIS, FAMU, NFTS, Columbia) and invests in discovering of young talents from regions with low audiovisual potential (Africa, Latin America, CEE region).

Fresh Film Fest annually offers a solid and varied array of Central and Eastern European student films with the special attention the Visegrad Group countries and to Germany. Fresh Film Fest is also the creator and executive curator of the official students section “Fresh Selection – The promising five” at Karlovy Vary International Film Festival, the second biggest film festive event in the Central Europe after the Berlinale. Similar to prestigious student sections of Cannes Film Festival and the Berlinale, KVIFF and Fresh Film Fest present the world’s most interesting young filmmakers. Within this five films selection, one film produced by a Czech film school is presented to introduce the next Czech talent for the universal world‘s cinema.

MOFILM Brazil short film competition

Wednesday, July 27th, 2011

Make your perfect short film for MOFILM, and you could win up to $10,000, a trip to the Rio de Janeiro International Film Festival 2011 – flights and accommodation all covered – and an exclusive screening of your film.

The competition briefs give you a starting idea from which you can let your creativity and ideas run free. Pepsi Films, Chevrolet and Dell are all looking for your inspired short films, and you have until 12th September to get them submitted.

Find full details, register for competition updates, and get a free Shooting People trial membership to help you make your film from http://shootingpeople.org/mofilm

Filmmakers from South-Eastern Europe Join Forces

Monday, July 18th, 2011

Sarajevo City of Film Collection on Daazo.com

In the age of co-production based European cinema, Sarajevo City of Film is one of the most inspiring and useful initiative for young talents. In cooperation with the project Daazo.com is delighted to present an online selection of Sarajevo City of Film.

Sarajevo City of Film is a project for the realization of short micro-budget films, created through artistic and technical cooperation between young filmmakers from South-Eastern Europe.

All screened authors are entrants of the last two editions of the Sarajevo Talent Campus, whose work represents the future of regional cinematography. The shootings took place in Sarajevo, the city known as being crossroads of different cultures and religions, and a symbolic film centre of the region. From 2008, each year four to five shorts were filmed, and premiered at the Sarajevo Film Festival. In this online collection you can watch the most inspiring works made in the Sarajevo City of Film framework.

Alena’s Journey was one of the first ones realised in the SCF project. The story by Károly Ujj Mészáros is about Alena, an inhibited, thirty-year old accountant from Sarajevo who has a plane to catch, but everything seems to work against her. Meanness at the workplace and the cruel secrets of the Balkan war come to the surface while in the meantime Alena bravely struggles to achieve her goal.

Waiting by Dániel Béres is an innovative artistic reconstruction of the zombie film genre. It’s about a girl who – while taking a walk through the centre – discovers something very strange about the people of Sarajevo. They seem like lifeless ’zombies’, they only come alive for a few seconds to perform a little scene written down for them. She takes it as a joke first and fools around until she comes across someone with a paper: „Kill her!” written on it.

Pink River by Zacharias Mavroeidis is a daring piece on the gay issue. The story focuses on Mari, who after living in London for 10 years, returns to Sarajevo to sell a house she inheritated. While in town, she meets and catches up with Asja, her ex girlfriend. The two women and their opposing lifestyle choices will soon come in conflict.

Check out the projects and spot the next generation of regional filmmakers at www.daazo.com/scf!

Exciting Year For Short Films in Sarajevo

Friday, July 8th, 2011

For European Cinema and – and hence for Daazo.com – Sarajevo Film Festival is one of the most important summer-event. So we decided to focus on the festival and its partner programs (Sarajevo City of Film; Sarajevo Talent Campus.) from next week till the end of the festival. Online film premieres, film contest on Daazo.com and a World of Shorts magazine to collect all the relevant info, opinions, creative content concerning Sarajevo Film Festival.

To get started, click here you can find the Short Film Competition programme. Also, you can read below an exciting summary by the festival’s selector, Elma Tataragić. As she said 2011 Sarajevo Film Festival’s short film competition will be very powerful. We try to complement this online on Daazo.com

“This year over 250 films were considered for Sarajevo Film Festival Competition Programme. It was quite a challenge to select the ones that will make the selection. The 2011 Short Competition Programme brings a diverse and powerful line-up of 11 films from Hungary, Bulgaria, Romania, Croatia, Turkey, Slovenia and Bosnia and Herzegovina. Seven films are the short fiction works, while the three are animated films. This year’s programme is hosting young filmmakers, some of whom are first-time filmmakers and some are already experienced filmmakers in either short or feature-length film forms.

Elma Tataragić, selectorFrom Bulgaria we are presenting International Premiere of VTORI DUBAL/ TAKE TWO by Nadedja Koseva, a director already known to our Short Competition Programme. From Hungary, there are two films: International Premiere of VALAMI KEK/ SOMETHING BLUE by Virag Zomboracz, a female director with an impressive filmography that includes short, animated and experimental films; and the Regional Premiere of CSICSKA/ THE BEAST by Attila Till, which was also presented at Directors Fornight of the Cannes Film Festival. Two entries are coming from Croatia, both as International Premieres: animated film DOVE SEI, AMOR MIO by acclaimed animation author Veljko Popović, and short fiction film MEZANIN/ MEZZANINE by Dalibor Matanić, a well known name to our Festival. Two World Premieres are coming from Slovenia, both short fiction films: TOPLO ZA TA LETNI ČAS/ WARM FOR THIS TIME OF YEAR by Blaž Kutin and STVARI, KI JIH NISVA NIKOLI NAREDILA/ THE THINGS WE’VE NEVER DONE TOGETHER by Martin Turk, both authors presented in previous editions of our Festival. Ivan Ramadan from Bosnia and Herzegovina will have the World Premiere of his new animated film KIYAMET, and Huseyin Karabey from Turkey will present International Premiere of his short animated film NO DARKNESS CAN MAKE US FORGET. And finally, from Romania we will present the Regional Premiere of short fiction FOTOGRAFIA/ THE PHOTOGRAPH by Victor Dragomir, and World Premiere of NUMARATOAREA MANUALA/ COUNTING DEVICE by Daniel Sandu.
With four World, five International and two Regional Premieres, this is indeed a very exciting year for short films in the region.”

WORLD PREMIERES

THE COUNTING DEVICE / NUMARATOAREA MANUALA
Romania, by Daniel Sandu
Mircea, an old employee at the National Company of Motorways and National Roads wants to get George – his nephew – hired at the same company. The job consists of manually counting all the cars passing on the national roads for some EU statistics, but they both have different opinions about their work and eventually their friendship turns into a conflict.

KIYAMET
Bosnia and Herzegovina,by Ivan Ramadan
The mind is a place on its own. The mind can turn hell into heaven, and heaven into hell. The mind creates universes. Dark and bright universes, multicolored and pale universes…but the universes has a will of their own.

THE THINGS WE’VE NEVER DONE TOGETHER / STVARI, KI JIH NISVA NIKOLI NAREDILA
Slovenia,by Martin Turk
Klara visits a woman, who doesn’t want to see her. The woman allows Klara to enter in the apartment, but she tries to ignore Klara’s presence.

WARM FOR THIS TIME OF YEAR / TOPLO ZA TA LETNI ČAS
Slovenia, by Blaž Kutin
Tibor is sitting alone outside a bar. After a while he runs out of cigarettes, but the nearby tobacco stand is closed. He heads on and does not stop walking.

INTERNATIONAL PREMIERES

DOVE SEI, AMOR MIO
Croatia, by Veljko Popović
Is the comfort of routine and the happiness it provides enough to keep us its slaves forever? Following the daily routine in an old lady’s life, we soon discover that there is something strange about her. The power of denial and fear of change keep the old lady trapped in her worst nightmares until her secret is finally revealed.

MEZZANINE / MEZANIN
Croatia, by Dalibor Matanić
MEZZANINE is set in an alienated city ruled by merciless principles of corporate society, in which a young woman consents to be reduced to mere human flesh, as it is the only way into the game of survival. Her mother encourages the daughter to embark into this merciless world, becoming aware that her own child is irreversibly damaged. The two of them play a silent game with its main goal – solving the existence problems – achieved, yet they are aware that the aftermath is more than present.

NO DARKNESS CAN MAKE US FORGET! / HIÇ BIR KARANLIK UNUTTURMZ!
Turkey,by Hüseyin Karabey
A film – realised as an animation – about Hrant Dink, the Armenian journalist killed by a Muslim nationalist in Istanbul in 2007. His wife’s (Rakel Dink) speech at the funeral becomes a manifesto of peace and tolerance between Muslims and Christians.

SOMETHING BLUE / VALAMI KEK
Hungary, by Virag Zomboracz
Alice and Mary were classmates in the county town highschool. After graduation, they’ve separated: Mary went to college, while Alice felt in love and stayed in the grange. They meet at Alice’s wedding, but Alice receives her friend reservedly: she reckons herself as a victim, and Mary as the symbol of the life she has been deprived of.

TAKE TWO / VTORI DUBAL
Bulgaria, by Nadejda Koseva
In a small Bulgarian town, in the unfinished house, Maria is waiting for her husband. This is the day he returns home after several months of hard work abroad. But he is late. Very late. May be too late..

REGIONAL PREMIERES

BEAST / CSICSKA
Hungary,by Attila Till
István Balogh, a not very affluent Hungarian farmer, lords over his wife, children and his “hired” slave. Cut off from the rest of the world on a distant farm in the Great Plains, he tries to uphold a family ideal he formulated from rigid traditions. The close-knit, albeit extreme, human relations sweep these characters towards tragedy.

THE PHOTOGRAPH / FOTOGRAFIA
Romania, by Victor Dragomir
On his way to a business meeting, Claudiu drops by his old man’s house to snap a photograph his father kept bugging him for. What initially seemed like an easy job proves quite difficult, as the picture is of particular significance to the old man.

Transilvania IFF: “Let’s Go Digital”

Thursday, June 30th, 2011

14, and already a filmmaker. Guilty as charged.

Festival Report by Cristina Grosan

“Let’s Go Digital” was first held at the Transylvanian International Fim Festival in 2005. It was TIFF’s first clear step into trying to educate young people and spark interest in filmmaking. The workshop had its shortcuts: since the first edition was so successful, they held another few workshops the following years, like in the winter time at the Black Sea, or in a not-so-burgeois neighborhood in Bucharest.

The workshop is aimed at Romanian teens from all over the country, aged 14 to 18, who are keen on film, photography or art, in general. They apply, 10 get selected and get to go through all stages of film production, guided by coordinators, trainers (students at film schools around Romania, or film professionals). They get cameras, computers for editing, and workshops to teach them how, what, when and why.

As of 2007, LGD also invites its alumni to apply and come back as a senior participant, to guide the youngsters and also supervise the making-of film of the workshop. “I attended the LGD workshop when I was 15 years old, and it was a milestone in my development. I had the chance to meet young people from all over the country who were interested in films, art and beauty. We still keep in touch. LGD opens ones eyes to a new understanding of film and creation. I don’t think it influened me in choosing to pursue film during college. But it sure did stimulate my curiosity to learn more about film” says Diana Jaleru, a senior participant in the 2011, and a recent film graduate.

It’s been 7 years and it’s been held 9 times, and the workshop seems to grow bigger and bigger. “We had almost 100 applications. All of them showed potential in visual arts and film. Unfortunately we can only select 15 participants, but there are people who are applying the second or third time” says Iulia Rugina, coordinator of the workshop, and a film director, herself.


Transylvanian International Film Festival takes over Cluj-Napoca every end of May. And consequently, Let’s Go Digital is an interesting workshop for young highschool students, who now have two local TV&Film schools (one in Romanian and the other in Hungarian).

I asked whether they were hoping to challenge and find new film talents among the youngsters who attend LGD. Iulia Rugina corrects me: “LGD never aimed to discover new talents, but this is something that happens naturally. The LGD participants get to discover a new way of expression, using images, sometimes no words. They get to see the power this medium has. For some of them this is their first step towards a career in cinema. For others, this is just a preview to what cinema really means. LGD is important not only because it gets one closer to filmmaking, but it also opens one’s eyes and changes their view on things”. LGD senior participant, Diana Jaleru, strengthens her view: LGD isn’t aimed at discovering talents, it doesn’t have anything in common with the preparation for film school admission exams. Unfortunately, in Romania cinema seems to be dying, and so TIFF, LGD and film festivals in general are vital in educating young people and future audience.


Gossip around the block has it that the teens work hard during the day, and party harder during the night, taking the advantage of the curiosity and the spotlight the event offers. People go to their closing projection with the curiosity (and maybe hope) of recognizing an even newer Romanian wave. The teens seem to enjoy it tremendously. I can’t blame them. Wish I had an LGD to escape to when I was 15.

Photo credits: Ana Mares & Adi Marineci