Posts Tagged ‘magyar filmunió’

Kenyeres’ Short on US Tour

Thursday, September 24th, 2009

The History of Aviation has been invited to prestigious American film festivals, such as the New York, the Hamptons and the Chicago event. Paris’ Forum des Images will also screen Bálint Kenyeres’ latest short.
avation

Bálint Kenyeres’ The History of Aviation will be introduced by the most prestigious American film showcases in the forthcoming weeks. The Hungarian-French coproduction is programmed at the 47th New York Film Festival. The latest short directed by Bálint Kenyeres will be presented among this year’s outstanding movies at the Lincoln Center on the 26th September.

Following the New York premiere, the Hamptons festival will also screen the latest film of the European Film Award winner Hungarian director (Before Dawn, 2006). The Hamptons Film Festival kicks off on the 8th October.

The American tour of The History of Aviation will continue with the Chicago IFF, where the short got invited in the competition.

Simultaneously with the American premieres, the Forum des Images in Paris will also screen Bálint Kenyeres’ short movie. The History of Aviation will be presented on the 25th September at the prestigious screening location in the French capital.

via Magyar Filmunió

Golden Era in Wroclaw

Tuesday, July 21st, 2009

Wroclaw Era New Horizons film festival presents a special programme prepared by Hungarian film critics and presenting the achievements of the Hungarian New Wave of the late 1960s and early 1970s, including a mini-retrospective of Miklós Jancsó and Balázs Béla Studio’s shorts.

Poland’s biggest summer film event – The 9th International Film Festival ERA NEW HORIZONS, being held in Wrocław between 23rd July and 2nd August 2009 will present original works which reach beyond the borders of conventional cinema – as every year. The Festival’s goal is to present uncompromising, creative and extraordinary films from all over the world, made by artists who search for a new film language and original forms, who address issues missing from mainstream cinema.

Hungarian cinema of the 1960s and 1970s

The review is organised in cooperation with the Hungarian Cultural Institute in Warsaw. The selection will present 20 of the most interesting films of the time when the Hungarian cinema was outstanding in comparison not only to other European works but to the entire world cinema. An important part of this section will be a mini-retrospective of Miklós Jancsó – the greatest visionary among the artist of this trend, whose trilogy of terror drew international critics’ attention to Hungarian cinema. Besides this, we will present 15 films by other directors who created the so-called Hungarian new wave: Zoltán Fábri, István Szabó, Ference Kardos, András Kovács, Károly Makk, Márta Mészáros and others. The works will be selected together by Hungarian film critics and the festival’s organisers.
The late 1950s and the 1960s saw several fascinating film trends developing in the countries of Central and Eastern Europe. This artistic upheaval was initiated by the Polish Film School, followed by the triumphs of the Czech School and the Hungarian New Wave, with cinemas finally screening works by Mikhail Romm’s students and the Yugoslavs of the ‘black wave’.

Golden Era of Hungarian Cinema – film list with screening schedule

http://www.enh.pl/lista.do?typ=cykl&idCyklu=212

The Golden age of Hungarian cinema in the 1960s and 1970s was an extraordinary time for cinema. Andrzej Werner describes a situation we can hardly imagine now: crowds of people going to see a film almost exclusively for its aesthetical value, without tempting advertisements or posters. Very often, there were simply no advertisements or posters. In the planned book the fascinating phenomenon of Hungarian films of those times is discussed by critics of the young and middle-aged generation: Lorant Stohr (about the documentary trend), Balazs Varga (about the Hungarian new wave of the 1960s and new generation of the 1970s), Gabor Gelencser (about the Hungarian original and creative cinema) and Gyorgy Baron (about the leading representative of the “golden age” of the Hungarian cinema – Miklos Janco). The critical essays are matched by two historical descriptions of how Hungarian cinema of the 1960s and 1970s was perceived in Poland and in the former Czechoslovakia, written by Andrzej Werner and Radim Valak.

http://www.enh.pl/artykul.do?id=351

Discussion with the Hungarians

moderated by Paweł T. Felis, film critic of Gazeta Wyborcza at 16:00 in Cafe Teatr Lalek on 30 July
Golden Era of Hungarian Cinema – guests: Éva Vezér, Loránt Stőhr, Lívia Gyarmathy, Pál Sándor, András Kovács, Sándor Sára, Sebestyén Kodolányi, Rafał Syska, Jan Topolski and others.

via Magyar Filmunió

Brooklyn IFF’s Spirit Award to The Dinner

Thursday, June 18th, 2009

Karchi Perlmann’s short film, The Dinner received international recognition once again. The jury of the Brooklyn Int’ Film Festival rewarded the film with the Spirit Award.

The 12th Brooklyn International Film Festival ended on Sunday. Karchi Perlmann’s American-Hungarian short film coproduction, The Dinner, was presented in the competition program, selected over 2700 submissions sent from 111 countries. The 26 minutes grotesque film was rewarded with the Short Films’ Spirit Award by the Brooklyn showcase.

(via Magyar Filmunió)

Hamburg Short Film Award to Gyula Nemes

Monday, June 15th, 2009

letunt_vilagFor the first time in history, a Hungarian director has won the Main Prize at the Hamburg International Short Film Festival. Gyula Nemes received the prestigious recognition for his film, Lost World at Sunday’s closing ceremony.

The Hamburg showcase kicked off for the 25th time, in the first week of June, lining up 400 shorts from 40 countries. The prestigious Hamburg Short Film Festival’s Main Prize went to a Hungarian filmmaker – for the first time in the festival’s quarter century history. The international jury rewarded Gyula Nemes’ 20 minutes documentary, Lost World, with the Main Prize.

Jury statement:

Within the flow of a repetitive rehearsal we pass through many layers. A local community is washed away by a tide of change. The rhythm of life correlates to the rhythm of the editing and the grain of the film. The director’s use of his cameras’ mechanical flaws adds to the texture of the images, evoking passing worlds being replaced by the new.

Lost World by Gyula Nemes – who finished the famous FAMU in Praha – not only was the first Hungarian to win a main prize in Hamburg, but last July – also as first Hungarian – the Crystal Globe Award, given to the Best Short Documentary Film collected at the 43rd Karlovy Vary IFF. Lost World was coproduced by Absolut Film and Duna Műhely in 2008, and since then has won festival prizes in Bucharest, Houston, Pamplona, Ravenna and also in Nicosia.

(via Magyar Filmunió)